Tag Archives: new monasticism

Silence, Solitude: Where can I find it?

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Remain in your cell, and your cell will teach you everything

This piece of advice from one of the early Christian desert hermits to a follower has been going round in my head for ages. And I mean a couple of years at least. I’d read it in several books at the time, and I’ve seen it in a few since.

Of course, most of the writers of those books interpreted this advice at face value, literally advising the student, hermit, monk, or other contemplative person to stay in their physical cell (hut, cave monastery cell, suburban bedroom, wherever is their permanent dwelling) and listen, meditate, study, and contemplate. The advice is, stay in that space in silence and seclusion. Quite possibly forever.

‘But it could be the cell of your Self,’ my partner hermit said to me one time. And yes, I thought, that’s exactly right. I liked the symbolism. The actual literal, physical space and its geographical location isn’t necessarily the important factor. What’s important is that you, the real you is actually fully present wherever you are, right here, right now.

Think about what it really means to be present – to be here now: It means that you can say, ‘This is the only space and the only moment that exists. Right here and right now.’

Living life is an ever-flowing movement or process, and at the same time (excuse the unintended pun) is always occuring in the present. And in that ongoing moment you – your Self -is always there.

Of course along for the ride is your little s self with its ego, chattering and never quiet mind reminding you of the distractions, stresses, anxieties, worries about things to do or not do, memories of the past, and fears for the future. It goes on and on.

But, still, that space within where you can meditate, pray, contemplate quietly, that’s your Self, your ‘cell’.

I’ve always liked and worn hoodies. I guess a lot of people do. For some it’s about fashion; others wear them for warmth in cold weather or to keep the sun off when it’s hot; some people even use them to hide.

Then there are others such as nuns, monks, priests and others too, for whom a hood is a part of the robe they wear as a member of their particular group.

In those cases, a hood is called a cowl and most often it’s a largish loose hood sewn onto the robe or habit. Just like a regular hoodie.

I read somewhere (I forget where) that some groups nickname these cowls ‘cells’. In other words, the wearer carries their cell with them wherever they go.

Of course they don’t always actually wear the hood on their heads, but whenever they wish or need to retreat to their cells, all they have to do is simply pull their hood up and over their head and all of a sudden they are in their own private and solitary world; they are in their cell.

As I said earlier, I like the symbolism. But more than that: I find wearing a hood on my head or simply in standby mode, comforting.

I’m not overly good with crowds, or in close proximity to other people on a bus or train or whatever. I like knowing that just by pulling my hood on, I’m able to create my own space apart from my surroundings. In that space I can feel safe and kind of apart.

Even at home I wear a hood when I’m meditating or praying. It’s just one more opportunity to retreat into my cell, into Self

Peace from the Hermit to you

By the River’s Light

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By the River’s Light
I’ll Live My Life
out of sight of Babylon

A Note From Me: I can’t tell you who wrote these words. Maybe I did; maybe it’s a song lyric; or maybe it’s a quote from someone famous. Whatever the case, a half hour internet search failed to come up with anything even close. So, The best I can do is thank whoever did bring these beautiful words into the world. I hope you are pleased with how I’ve made use of them.

ANSWERING THE CALL LEADS TO MORE QUESTIONS

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Greetings and Welcome after what feels like a gap of forever since my last post.

Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.

And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.

Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.

And now I’m sharing it with you as a way of explaining why the gap, why the block.

Peace and love from me to you.



The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?

Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.

Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.

Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
                                             

A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.

Lord Buddha graces the hermitage front garden

The Desert Called, and I Answered

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Eventually.

Greetings friends. I welcome you from my new hermitage in desert country.

You know, it’s an old idea, a cliché even, to say that we, all of us, are on a pilgrimage called life, a Hero’s Journey as it’s called by the Mythologists. And, on any such journey there is what those same scholars call a Call to Adventure.

They are the times when we are challenged by life to commit to an action that will stretch us somehow, take us out of our comfort zone, change our life; to make a move; take a risk; embark on a journey either internally or out in the physical world.

So, when I tell you I got a call to come out here to the desert, and that I answered it, why the necessity to add ‘eventually’? What happened to delay that journey? Well, that’s what our Mythologist friends call The Refusal of the Call.

They’re the times when, once we’ve heard the call, and when we’ve felt its rightness, we still say no. Not now. And we come up with all kinds of perfectly reasonable explanations for our refusal.

In my case, I said, hey, it’s fine here; I’m near the beach; I really have no reason to move; there are plenty of ‘other places’ to check out first. The excuses went on and on.

All along though, there was this place, this country, calling. Of course ‘the desert’ isn’t always or for everybody the literal sand covered land, that gets very hot, and is generally thought of as barren and even hostile. It can also be a metaphor for any place – or no place in particular – that is a place of retreat, a quiet place, a place for living apart from the mainstream of human life.

For some people inclined to a life of contemplation and solitude, this place might be a small hut in a forest or a wood, or a camp on a remote beach on an even more remote island. Then there are others who are called to an actual cave high in the mountains, or on the banks of some sacred river somewhere.

And, equally, the desert, the place of retreat, quiet, solitude, and living apart, may well be an apartment or house in a suburb, or even in the centre, of a big city.

Then there’s me: called to this desert town of Broken Hill, almost but not quite in the centre of the continent of Australia. It is deep in the arid zone: it’s very far out back here in the Outback, 1500 kilometres inland from the east coast to be precise.

Yes, well this is all well and good, but shouldn’t I be answering my own question: why eventually? Well, we’ve covered the excuses, but really isn’t that just plain old procrastination? Yes indeed. If we get back to our Mythologist friends once more, we learn there is a stage in this Hero’s Journey that follows on from the Refusal: The Supernatural Act.

These are the times when things happen that seem to come at us out of the blue, from no rational, logical, or explainable source. Something that we might find hard to beleive at first because it’s way out there; supernatural like it says.

But that supernatural bit doesn’t have to take a spooky form, it might be that the ‘supernatural act’ is an internal insight or realisation triggered by a perfectly natural occurance. That’s what happened for me. What was this non-spooky, natural event that prompted such internal insights and realisations in me and got me moving?

Rain. Yes, rain. It rained almost every day for over six months. I am very very blessed that I wasn’t affected by flooding as so many in nearby area were, and I am thankful for that. But it’s safe to say that rain, mud, no sun, and limited or no access to the outside for days or weeks at a time, soured my romance with the coastal lifestyle.

You could say that through the sound of rain on the roof, I could still hear the call of the desert. In fact it got so loud that, eventually, I could no longer ignore it.

So, eventually, I answered the call, and here I am. Here is a small miner’s cottage and my new hermitage, my new safe haven by the side of the road. The cottage is situated in a mining town that sprung up in the 1880s. So this cottage has been home to miners and their families for generations, including the current owners.

In a sense it’s quite likely that I am the first occupant who hasn’t been or isn’t a miner. Though you might say that my excavations, rather than being in the dark underworld beneath the surface of Mother Earth, are taking place in the equally dark, hidden interior places of Self. A mining of another sort you might say.

Before flying out here, I was thinking about what was actually calling me to the desert (putting aside the rain for a moment). After all, I lived in a small cabin in a park like setting literally five minutes walk to a pristine Pacific Coast beach; I had trees and forest like spaces all round, as well as a small river two minutes walk. And that’s not even thinking about the abundance of wildlife.

And it occured to me that it is the stillness of the desert that was calling to me. This town of Broken Hill is a mid size town (actually a small city with about 15000 people), with the usual shops, cars, people, and the rest.

Yet there is a stillness. No longer can I hear the constant sound of seawaves crashing. No longer can I sense the never stopping coming in and going out of sea tides. And out here, it seems like even the people are moving quite a bit slower too. I’ve yet to see a single person rushing about. And they seem to smile a lot as well.

The street I live on is extremely quiet, and even on the so-called ‘busy streets’ there isn’t the mad acceleration and braking we’d see everywhere on the coast. Of course there is the odd driver who thinks every car is a racecar, but where don’t you get that?

But, actually it’s more than this. There is, beyond the actual literal quietness, a silence that seems to exist as an entity or state of being in its own right.

A stillness that is a solid thing, just as on the coast there was (is I suppose) a constant frenetic atmosphere that seemed to overlay everything. People rushing – on foot or in cars – even when there seems to be no reason for hurry (though of course you can never tell can you?). And not so many smiles either.

Contemplative people, those seeking solitude, and peace and quiet in which to pray, to live slowily, and to explore the divine, have been drawn or called to deserts (in all its forms) for thousands of years or longer. And I am fortunate enough to have finally (eventually) heeded the call myself.

Here, away from the incessant acceleration and braking (I do like this expresion), and in that stillness that envelops this land, perhaps I can dig a little deeper, uncover a bit of quiet, and discover a piece of solitude.

Out here, in the Outback, life can be harsh for all living beings, often dangerous in its aridity and isolation. It’s a long way from major cities, food and supply chains are extended to extreme limits, and the human hold on the land is precarious at best.

Yet, the paradox exists: out here far from the fertile coasts, the soft sandy beaches, the major urban centres where the mainstream of (human) life goes on, there is a quiet, a peace, a stillness that seems to pervade the very air one breathes.

A wise person wrote something short and sweet that sums all this up for me:

There is a stillness in the wildness.

Quiet and Free (A Haiku of Sorts)

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Much speech leads to exhaustion;
guard your inner being.
And keep it free.
A bit of blue sky coming.

Allow Me to Introduce My Mask

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Greetings friends

At the moment I’m reading a book (Myths of Light: Eastern Metaphors of the Eternal) by Joseph Campbell, the brilliant, more than brilliant scholar, writer, teacher, and philosopher of all things having to do with myth.

Actually, to be honest, it’s truly riveting reading, but still, it’s a hard book to get my head around, but I’m taking it in little chunks, and the effort is, you can believe me, well worth it.

Campbell makes so many fascinating observations and his insights are genius. One section that gave me much to think about was where he talked about Carl Jung‘s idea of masks:

… he [Jung] points out that each one of us is invited by his [sic] society to play a certain role, a certain social function …
… We all have to put on a mask of some sort in order to function in the society. And even those who choose not to function in the society, to revolt from the society, put on masks too. They wear certain insignia that indicate, “I am in revolt.”

Yes, I know, it’s an idea we’re all pretty much familiar with: we all put on masks: work masks, school masks, relationship masks, masks to impress, masks to hide behind, all kinds of masks. But here’s what got me thinking: If you saw my last post, you’ll remember just near the end I said something like, ‘I am a hermit and a pilgrim’.

Now, normally, I tend to think I don’t wear masks. But, surely such a statement declares that I have simply put on one more mask? And, given the usual perceptions of hermits and even pilgrims, am I telling anyone who will listen (especially myself) that ‘I am in revolt’?

And that got me thinking more, about that ‘especially myself’ thing. I don’t think there’s anything wrong with wearing masks; after all as our quote says we wear them in order to function, to have a role or roles in our society.

But we also wear masks for ourselves, so we can give ourselves an identity, a role, a function. So a mask, you might say, is just how we get on in the world, and in our own minds; we take them off, and put them on according to the situation and needs of the moment.

Which says of course that we all are, I am, many things at different times and stages of our lives, our days, our careers, and so on. At this stage of my life I have put on the hermit/pilgrim mask I’ve carried around on the inside all my life. I am asking myself again, does this make me a rebel?

Well, before I donned the hermit/pilgrim mask properly, yes I wore the mask of the rebel, of the angry and outraged advocate of complete and total social change. And perhaps from some people’s point of view, I might still be a rebel: rebelling against the expectations, demands, and easy temptations of my society.

Anyway, I seem to have taken the very long route to the main point of my thoughts on all this rebel insignia stuff. The reality is, I’m not rebelling against anything. Except for those times (all too frequent) when I let anger and outrage slip through. After all, I am still human and have my weaknesses. ‘Tipping points’ as a wise person has called those moments when ‘it all gets too much’.

I see my role, the role of the mask I wear, as a creative one, one of building up, not tearing down.  This particular mask is still in the development stages, but isn’t that how everything works

There’s an aphorism I like very much:

It is better to light a candle than curse the darkness.

(back in March I wrote a post describing a real-life event that illustrates this wonderful expression, both literally and metaphorically. If you missed it, do check it out).

Now, as of this moment in my life and in my progress on whatever path I’m on, I can truly say that I spend time – a lot of time – cursing the darkness. I mean, how could I not? That probably makes me still a bit of a rebel.

Yet, at the same time, I think I’m learning to understand the pointlessness of only cursing the darkness. Maybe it’s not a case of all one way or the other. Okay, I’m human, so I curse the darkness? There is a great deal of darkness to curse isn’t there?

Perhaps I can allow that cursing to lead me to action? And, well it has. At least that’s what I’m working on, aspiring to. Living as simply, quietly, and in as much solitude, as I am able; buying fewer things; letting compassion inform my eating, clothing, and travel choices (actually all my choices); having as little to do with what I call ‘the mainstream’ as possible; acting as far as I’m able in accordance with my true nature.  All these measures are aspects of the hermit/pilgrim role.

But I’ve missed the greatest, most important and vital aspect that goes with the responsibility of wearing the hermit/pilgrim mask: Prayer. Quiet prayer and contemplation. Sometimes just sitting (I know, it’s a favourite thing to do for me), letting the quiet come. Letting the light come.

You know, in some post, somewhere on this blog I’ve mentioned that often repeated statement:

It’s too late for thoughts and prayers

Well, more and more I am getting to grips with the notion that, far from being too late, this is precisely the exact moment when thoughts and prayers are needed most.

I hope that my little efforts can at least contribute in some small measure to the efforts of all the other people out there in the world who, while they may not be hermits or pilgrims, and while their natures might lead them to any number of differing activities in the world, nonetheless share with me the aspiration to light a few candles.

I Live On a Big Round Ball

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Namaste friends

Recently I came across some notes I’d made about a book I read ages ago, at least a year I think. Anyway, the name of the book: The Art of Mindful Walking. Sorry, but no prizes for guessing what it’s about.

Reading my notes I see that I had been particularly taken with what the author had to say about ‘our place in the Universe’. He reflects on our – humanity’s that is – perception of our size in the big scheme of things.

The author recounts how we once went for a walk with American astronaut Dave Scott, who’d been to the moon on one of the Apollo missions. Scott described to him what it felt like looking back at Earth from the surface of the moon:

It hangs in the black sky like a glass bauble, a blue and white Christmas decoration. It’s a small, fragile world.

Ford then goes on to reflect that this image, of a small, fragile ball floating in space, has ‘become a part of the modern psyche’. Then he says:

We begin to see how vulnerable we actually are. We are the first generation truly to see this. We are also the generation that is coming closest to polluting and destroying it.

I don’t think I’d quite looked at it in this way before. And I admit, it stunned me a bit.

Just think: Of all the humans who have ever lived, those alive in the last 50 or 60 years have been the first to see our home planet in its entirety. At least we’ve had the good fortune of seeing images of Earth just as those astronauts saw it. Thanks to those images made from space, we now have had a glimpse of where we actually live and the nature of our world.

Yet, at precisely this point in our history as a species, when we have that particular knowledge, this is the time we seem to be almost wilfully destroying the very ground we walk upon, the air that keeps us living, and the water without which there is no life.

I’m not a warrior. I am a hermit and a pilgrim and I try hard to not make judgements. As such, I can only look on in wonder.

And I can pray.

Thanks to Jimmy Buffett for the title. It’s a line from one of his greatest songs, called Defying Gravity. Thanks Jimmy for all the music man.

Is Life Too Short for Perfect Writing?

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Greetings and welcome friends

Let me share a little secret with you: I have and always have had, atrocious handwriting. And it’s always been a major frustration (but a huge incentive to learn to type, which is one of the best things I’ve ever done).

Perhaps it’s because I had some sort of learning difficulty, maybe it happened because every state in Australia has a different way of teaching kids handwriting, or maybe its just that I was and am lazy. Actually, scratch this last one: I am not nor have I ever been lazy.

Anyway, it appears to be a fact of life, yet I do still get frustrated from time to time. But then there are times when I decide not to care, that it isn’t important, doesn’t matter. Being in one of those indifferent phases right now, has reminded me of an incident that should have taught me this lesson once and for all.

A while back I was gifted a small painting. The artist wasn’t satisfied with it as a background of a planned piece, and gave it to me thinking I might like to ‘do something with it’. I happened to think it quite a lovely painting in its own right actually, and as I was looking at it, I thought of a leaf I had collected a couple of weeks previously. A beautiful very soft and pliable purple leaf from a lovely shrub.

So, right away I just got to sticking that leaf onto the painting. As I pressed it down, a little tear appeared in the leaf. Immediately a lyric from Leonard Cohen‘s Anthem came into mind:

There is a crack, a crack in everything. Thats how the light gets in.

So, I began writing bits of the lyric onto the painting. Untidy, irregular and typically atrocious the hand writing, or printing, is. But then it struck me: that’s the point! I mean the point of Mr C’s sublime words:

Ring the bells that still can ring
Forget your perfect offering.
There is a crack, a crack in everything
Thats how the light gets in.

Here’s how I thought about what I’d written on the painting and how I’d written it: I rang a bell that I can still ring: I thought of and wrote down those beautiful lyrics to compliment the accident (is there any such thing as accident?) of tearing a leaf on a painting that ‘didn’t work’ for the artist, but that was working for me.

Therefore, the painting, the torn leaf and my handwriting was not a perfect offering in any kind of conventional sense as the world would view it. In other words there is a crack, both literal as in the tear in the leaf, and metaphorical as in the imperfections of the whole piece.

But—and here is the vital thing—this little painting, despite its initial rejection by the artist, and with its imperfections, its sloppiness, and its flaws, has provided a channel for light to get in. Into my life, into the piece itself, and now, through this sharing, into your life.

So, who cares if my handwriting is not conventionally perfect or is untidy, uneven, and even a bit tricky to read? I love the message in those lyrics; I felt that this lovely painting with its torn leaf to be the way to put that message in a concrete form. I mean, really, isn’t life too short for perfect (hand)writing?

PS I no longer collect leaves and trap them in this way. I may collect them, but after a time, I return them to their natural environment. Fallen leaves have their function in the cycles of nature too.

Be Present in the Presence

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Greetings and welcome

I write quite a lot about presence. I think a lot about presence, about being present, and all kinds of related ‘being in the moment’ kinds of musings.

Of course words like presence and present can have multiple meanings can’t they? About this time last year I read s book called Consider the Ravens. It’s about the history as well as the recent revival of interest in hermits and ways of living the hermit life.

If you are even remotely interested in living more in solitude, or living a simpler and more sustainable, life, or being more spiritually focused, then I can’t recommend this book highly enough.

There’s a paragraph from that book I’d like to share with you. It both describes some characteristics found in hermits and their way of life, as well as introducing us to a lovely phrase concerning the concept of presence.

Are hermits escapist? Yes. Is running away a bad thing? Like most choices it’s value is determined by its purpose. There are men and women who are selfishly seeking a sanctuary untouched by human pain. But there are others who deliberately choose to be powerless [in the eyes of the world], to live simply, and to use no more than their fare share of the world’s resources. They elect to be unknown, hidden, forgotten. And the goal? To become transparent to the Divine, or as [one hermit] succinctly phrased it: ‘to be always present to the Presence’.

Paul & Karen Fredette Consider the Ravens


I like that phrase; it’s what I’m aiming at. Actually, no. That’s not right: you can’t aim at being present, you can’t have presence as a goal to be attained in the future. I think that’s called an oxymoron. Anyway, all you can do is be; be present in the presence.

And it doesn’t matter what you call it: Presence; Truth; Reality; God; the Universe; the Cosmic Reality. They’re only names for that unnameable essence that we’d all agree can be called the Love that is in reality everything.

It’s that essence beyond all names – and forms. It’s what we sense is behind, above, and within all that exists in the world.

And, like a lot of people, I want to withdraw from that world of materialism. From the greed, the corruption, the cruelty and wilful ignorance, the … well, you get the point. My sense, and it is echoed in the quoted paragraph, is that presence is to be found in silence, and in solitude.

Of course it’s not necessary to be a hermit to be present – or in order to be present in the Presence. After all, few people believe they can go find a cave somewhere and withdraw totally from the world. (maybe it’s the belief that’s the problem?)

So, what to do? A wise person once gave a brilliant answer to that question and I have it on a card to remind me:

Yes. Be present and the direction will present itself.

Peace to you.

Mother Mary Come to Me

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Namaste friends

During the early days of the pandemic, I lived in a small town out on the edge of the Outback. But after a few months, the time felt right to head for the coast. Slowly. With that in mind and headed in the right direction, I spent six weeks in another small town in that semiarid zone, staying in a motel.

I liked it there, at the Maria Motel in Moree. Described as a low-key 1960s era motel, the Maria is right across the street from the Artesian Hot Pools, which are Moree’s claim to fame. For me (for us), it was another temporary hermitage and safe haven on the side of the road in which to take shelter for a while.

My favourite among the list of things I like about the Maria Motel is the statue of Mary out front in the courtyard. The Virgin Mary that is, Our Lady, the mother of Jesus. You know who I mean. And it isn’t only my Catholic upbringing and education that accounts for my fondness of Mary. It is more about what she symbolizes, what she stands for.

Watercolour by Pauline

For me Mary represents what I might call the feminine aspect of God. Some would call her the Earth Goddess. Mary is the mother, as in Mother Earth, Mother Nature. She is the feminine principle of the Universe. Respect and care for the mother is obviously the key to our survival.

This land from which this town was carved, has been inhabited since long before we began to mark time; since the beginning some say.

Those hot pools have been sacred for a very very long time. While nobody asked permission of the people who already lived here to build a town, at least when some of the invaders came they chose to honour the sacredness of the land they had appropriated by placing this statue representing the sacred feminine in sight of those ancient holy waters, and naming that temporary hermitage of mine, the Maria Motel.