By the River’s Light
I’ll Live My Life
out of sight of Babylon
A Note From Me: I can’t tell you who wrote these words. Maybe I did; maybe it’s a song lyric; or maybe it’s a quote from someone famous. Whatever the case, a half hour internet search failed to come up with anything even close. So, The best I can do is thank whoever did bring these beautiful words into the world. I hope you are pleased with how I’ve made use of them.
Yellow-Golden sands
carpet the floors
of tidal rockpools,
home to crustations and seagrasses.
And the coffee tasted like medicine.
A sculpture of a young child, on a busy street corner in the heart of downtown Sydney. I like many thousands of others, have passed it by many times only giving passing thought to the origins, meaning, or significance of the statue itself.
Until a couple of days ago that is.
As a subject for contemplation and for a photograph, it is a powerful image: striking in its presence. Once one actually stops to look and reflect that is.
After several minutes of standing with the statue and asking myself who is it? What does it mean? (there is no plaque or sign to steer the way), I made this photo and I moved on.
Only later, at home, did I notice the little plant growing through the pavement in the corner. And zooming in on the plant I saw the little moth sitting on a leaf.
I decided to research online, see if I could learn more about this site. The sculpture is called Youngster and was created by artist Caroline Rothwell. It seeks to highlight the plight of refugees, in particular children.
There isn’t much online, but you can read a media article which gives some more insight into the sculpture here.
That article focuses mainly on the sudden appearance of a plaque at the site. Presumebly placed by a citizen with strong feelings on the subject, the plaque wasn’t ‘official’, so was later removed.
Actually, the text on this plaque pretty much sums up my own strongly held and often expressed feelings. Though, these days as a contemplative monk and hermit, I try hard to not have opinions, or make judgements on the way in which things in the material world play out.
But, obviously I am still human, and this is only one of so many issues that cause me distress, sadness, even rage. Actually, rage is a big one. But then, how could anyone of goodwill not be outraged? It is the very reason I am struggling hard to get this post down, to somehow make it all clear.
You see, at the same time as being so affected on the human heart level, I am very aware at the same time that it is the conditioning of material nature that leads to the very obvious fact that life is suffering.
Eating, sleeping, mating, and defending. Every single activity of every living being is motivated by one or more of these activities or a desire for their fullfillment. They are the basic drives that rule all life.
So what to do? As I’ve said (probably many times) I am not a warrior – I used to be but not now. However I am just like every other life form motivated by conditioning, either from my experiences in this life, or by that conditioning inherent in all material nature.
To a great extent I have retreated from the world. Not in order to escape or so I can ignore the suffering. I haven’t abandoned the world.
In fact the exact opposite is true: I have withdrawn, become a hermit monk, precisely so that I might be able to dedicate every ounce of my energy, my heart, my love, to prayer; to creating and maintaining a quiet and contemplative silence.
My prayer is not of the asking or begging kind, beseeching some invisible ‘god’ to give me something. Instead, I attempt to be still (never ever easy); to free and open my mind so that I may be more receptive to the Divine, to the will of the Universe; and to become more mindful in every activity and moment.
In this way I am aspiring to realize fully my oneness with all life. All life. I want to become fully awake to the fact that everything is Self. That there is nothing else.
And of course Self includes this child and all she symbolizes; it includes that little green plant growing through the pavement in the corner; and it includes the little moth perched on one of its leaves.
As well, my prayer, my aspiration for full self realization and union includes all those who are warriors, those whose activism and engagement with the material or physical world is every day alleviating and attempting to alleviate suffering and its causes in whatever form it takes on this planet we all share.
I am extremely flawed: I’d like to tell you I am always full of love and light, but there is much of darkness in me still to be rid of. So, all I’ve shared with you till now are still only aspirations and I have far to go. Nobody can say if I will ever reach that full realisation. In the meantime I intend to keep doing what I can to participate in the work of change.
Peace and love
What a piece of magic this is!
No, it’s not a quote from Shakespeare. Mind you, now I think about it, there’s a line in Hamlet, where the man himself is monologuing about the human condition and declaims a strong-felt sentiment:
What a piece of work is man! [sic]
The reality is that first quote is from someone far more mundane than the bard: me. The occasion on which I uttered this equally impassioned statement was as I sat holding my smartphone and listening to the music flowing from it through bluetooth fairy land and into the headphones I was wearing.
The truth is I was at that moment just awestruck and a bit overwhelmed with what I was hearing, and just as significantly, with how I was hearing a particular song.
Not being a materialist by any measure, my phone and headphones are nowhere the latest or top of the line models, but still, to me, what I was hearing was magnificent. It’s the only word that fits really.
Anyway, that isn’t exactly what I want to write about today. Reflecting on the experience described above, got me thinking about the actual song I was listening to. And that’s what I want to write about now.
The song in question is written and sung by Australian singer-songwriter Cyndi Boste (died 2018) and is called Cry Down on Me. Here are the lines that have struck me particularly:
I’m not afraid of your tears.
Cry down on me
I’ll make sure nobody hears
Cry down on me.
Before we go on, a short note. Until I started research for this post I had my own idea of what ‘Cry down on me’ means. Seems I got it wrong. However, for this post I am choosing to believe that the songwriter agrees with me. If you look up the meaning and then listen carefully to the lyrics, you’ll see that perhaps I didn’t get it wrong after all.
Essentially here we have the singer/protagonist reassuring another person (friend? lover? sibling? We don’t really find out, but if I had to guess, I’d say they are lovers) that they are safe to share their tears, their sadness, anger, fears and so on. Most of us at some time or another (or always?) have been afraid to express or share our emotions, to show our tears.
So, why is our protagonist going to make sure nobody hears the other’s tears? Well, she is obviously aware that the other is at the very least embarrassed, perhaps afraid of being ridiculed, rejected, or perhaps they’re worried about appearing ‘weak’ or making themselves seem vulnerable.
And how did she come to that awareness? I think she has seen this other with the eyes of her heart, seen their need. And now she’s telling them: ‘Look don’t worry, I am listening to you with my heart and I can hear you.’
We are exposed to so much ‘noise’ from everywhere all the time. Even the tears of a loved one can be lost in the overall din that sometimes threatens to smother us all.
And of course we’re not just talking about literal tears here, and the sound the shedding of them makes: anything said, written or otherwise made known that is of substance, or real importance and meaning, is threatened with annihilation by all the trivia, gossip, advertising, round the clock news, and what I often call the general blah blah, that passes for life in the modern materialistic world.
Of course to protect ourselves from all that noise, it’s no surprise that we so often only listen with our physical ears, see with our physical eyes. Actually having said that, I know from my own experience that even that level of engagement and attention can be a struggle sometimes. And doesn’t that struggle sometimes lead us to closing down altogether?
I guess the answer lies in what Buddha call The Middle Way or Path: The bottom line is that we can choose what we listen to (or look at) and what we don’t. No need to switch off and isolate ourselves completely from the ‘outside’. Nor is it necessary to leave ourselves wide open to all that noise.
Like our protagonist in the song, we can listen with the ears of our hearts; we can see with the eyes of our hearts. It is in our hearts that love lies, where Truth lives. We can say to that other that we are listening and seeing with our hearts, while at the same time reassuring them that nobody, including us, is going to simply be hearing or seeing you only with physical ears and eyes.
The last time I listened to the song (yesterday: it’s become a big favourite) I had the thought that maybe our protagonist is reminding her Self that she’s listening. Sometimes our ‘real’ self can feel like a stranger, as if that Self is someone unknown, and living as a separate entity outside of us can’t it?
It’s at that heart level where we can truly listen, truly see, the other. And whether that other is one’s Self or another person, the truth is there really is no difference: your heart is truth, the other’s heart is truth, and it’s the same Truth.
Namaste friends
Welcome again to my blog. It’s always a good feeling when I sit at the keyboard to begin a new post to you.
And for this post,I have some news: this hermit is back on the road again. But, I hear you asking: aren’t you as a pilgrim always on the road, on the move? Yes all true; a pilgrimage like mine (life) is never-ending, permanent. Just a state of being you could say.
So, after a few months in the desert hermitage, we felt lead to move to Sydney, to another cave; another safe haven by the side of road.
This move has felt right and gone smoothly from the first thought, the initial feeling, to the actual trip here, right down to the comfort and contentment we feel in this new hermitage (in reality a small apartment beneath a house with a lovely garden, in a quiet street).
My second piece of news is that I have made another blog, one just for my pictures. Of course my posts here are always illustrated with my photos, but after deleting all my social media accounts (another bit of news I suppose) I felt the need for an alternate place to share my art. It’s on a different platform and it would be terrific if you could follow me there.
The blog is called Pictures from the Heart of a Pilgrim, and you are invited to visit, to follow, to comment. to connect. Just click on the link here.
There are only a handful of pictures on that site so far, but I’m working on expanding it, so please make sure you visit more than once. Better still, subscribe so you can be notified whenever I post.
I think that’s it. Maybe I will post about deleting social media accounts. But, somehow I don’t think I will: they’ve gone and I’m happy about that. I’m not alone I know in making that decision.
So, till next post, thank you for your support.
Love and Peace
Paul
Strangely for one who lives a life that at least aspires to be outside the mainstream of our culture and society, I have a lot of rules to follow.
What I mean to say, is that, while for the most part I disdain the ‘rules and customs’, and the ‘demands and obligations’ of the dominent culture and our materialistic society, I seem to be quite capable of making up all kinds of rules for myself. I’m then more than able to put the exact same pressures on myself to obey, to comply and to conform.
One of those ‘rules’ is to try not to repeat topics of posts. Obviously there are posts that fall through the cracks of such strictness, but on the whole I like to keep coming up with new things to share with you.
But it’s been occuring to me lately that musings and contemplations don’t work that way. The mind, the heart, know no such rules as ‘no repittion’. (Actually, now I think about it, there are some things the mind likes to repeat all the time that I could do very well without thank you very much)
Sometime, not too long ago I think, I wrote about the beautiful George Harrison song, Just for today. I wrote about how I have a slightly paraphrased few lines from that song written in my Bhagavat Gita, and I read those lines every day:
I know I am not alone in my desire to not be constantly trying to sort out all life’s problems; I know many of us would just like a little peace, a little pause in the ongoing rush of life. Just for today, or even just for a minute.
What George is making a plea for here has resonated with me since I first heard this song so many years ago I can’t remember.
Anyway, this was supposed to lead up to the real topic of today’s post which was going to be about my decision last night to spend the next few days in a kind of retreat. Instead it’s turned into a bit of a rave about breaking self-imposed rules.
Actually though, one of the primary motivations for my decision was the very notion of presence, of being still for ‘this day only’. You know the idea: leave all life’s worries and issues, and worldly concerns out of mind, just for a bit.
In other words, in this case I don’t think I mind repeating myself, breaking my own (really rather silly if you ask me) rule. The retreat is timely, and it’s a good thing to be reminded that it really is about presence.
I’ve been getting too caught up in ‘what’s next?’ kind of questions. As well as the usual and very tedious existential angst over life, the universe, and everything past, present, and still yet to be!
So, at the risk of creating a classic oxymoron, it’s now the time to head off to find a little presence, and a little stillness.
Just for today.
Welcome dear reader
Have I shared with you my Bhagavad Gita? Well, I know I’ve mentioned a few times that it’s one of, if not the primary resource for study and guidance for me.
As you’ve probably guessed, this is a quick photo of the inside of the front cover. And, again as you’ve noticed, I like to stick things in my books, especially this little one. (Actually now I mention it, this is the only book in the traditional format as in made of paper, I own). It’s an old practice and for me adds multiple dimensions and depths to what is already a treasure.
Sometime I’d like to go through and describe to you all that I have added, but for today, do you see the little green section with the words Dominus Est printed?
In the religious tradition I was raised in, these two words have a specific meaning and use. However, it’s only recently that I’ve come to think of this little Latin phrase (well technically it’s a sentence, but …) in the sense of the literal meaning of the words themselves: God is.
That’s it. Or the Lord is, or the Master is. If we change the Dominus, we can use this tiny sentence to define our conception of the divine, the holy, in any way that seems right: Truth is, Beauty is, Art is. For me, God is, sits right. As do the others in this list. Same same.
So, God Is. What else could possibly be said that would add to this already very emphatic and simple statement? Nothing at all. It’s stand-alone, complete in itself.
Why? Well, if we were to add anything at all to these two words, such as God is Truth, or God is Love, or God Resides in …, or God is called … , then we are in fact stating only a little of the truth. Sure, God is truth and love, and goes by many names and is found in many forms, but once we say what something is, we are actually making more of a statement about what it is not.
Mind you, it’s perfectly natural, and for many of us helpful, even necessary, to ascribe to God a name and or form. We are ourselves material beings, living in a material universe; it’s logical that we would choose (or need) to see God in a word, a physical object, or attribute some other kind of materiality to our notions of the divine.
I must say that I am one of those who find it difficult to envisage an invisible, non-physical, and impersonal ‘God’. Of course, our little statement, God is, does indeed say just this doesn’t it? Isness is pretty non-corporeal, certainly not in the least physical. And isn’t even a ‘spirit’ or ‘entity’ of any kind; Isness just is. The moment we label something (including ourselves) we miss that isness, that essence.
You see my picture of Krishna and Radha? This form, or forms, is one of the several that I feel right in having as a kind of focus, or centre of my devotion to and love for the divine; for love, for truth, and for it all.
You might be saying, this guy does believe in a personal God. He just told us. The truth is I don’t believe or not believe that Krishna (or any of the myriad names and forms we’ve invented) is God. God simply is. And my heart tells me that this is enough.
There are a pair of theological ideas known as Cataphatic Theology, and Apophatic Theology. Cataphatic describes or approaches the divine by stating what God is, while Apothatic (you guessed it) describes God by speaking only of what God is not.
My guess is that pretty much everybody, from whatever tradition, would approach the divine (and not only the divine) in one or other of these ways. But for me it was such a relief to realise that there was no need to go there at all. I could stop with the definitions and the descriptions, the what is and what is not. I have the freedom to not have to believe or not beleive. None of it matters. Dominus Est. God is.
Am I there yet? Have I let go of dualities? Hardly. Maybe the odd glimpse, but it’s rare. And it always will be for as long as I live in a physical body. But to paraphrase something Swami Ramdas said:
I’ve set my feet upon the path, so I am already at the goal.
Peace and love from me to you
Namaste and Welcome to you.
I can’t remember when I wrote my last post. And of course it isn’t relevant at all is it? I mean to say that in the contemplative life, time sometimes seems to take on some other kind of character.
Or at least I should say that one’s perception of the passage of time shifts; nothing unusal there I hear you say, and of course you’re right. Just thinking out loud I suppose.
For me, having a right perception of time is an important aspect of my Sadhana, my practice: yes, it’s true: time is seen to fly, or it is frustratingly felt to drag. But my aspiration is to see time as simply a human construction that we use to limit, structure, bind, define, and place all kinds of restrictions on our lives.
Which for me, simply means that there is only presence or Presence; only the ongoing continous moment (what we often call The Now). Easier said than done mind!
In any case, here I am, just where God would have me be. Feeling strongly to reach out to you, I remember the poem (it’s not really about time in the sense we’re discussing it so far) that emerged the other day after reading a quote from Swami Ramdas that seemed to be an answer to some thoughts I’d been having.
I’m grateul for this, all of this. And for you too, the reader of these musings offered with humility and thanks.
Peace and love from me to you.
Thinking thoughts
as if battered by demons.
Memories arising of my own evil deeds, selfish and cruel.
Right away I turn to God:
God is my all;
Hare Krishna
Forego repentance,
relinquish regrets;
you are filled with God,
the supreme essence of life.
God is my all;
Hare Krishna.
Through Papa Ramdas
I hear the Universe speak:
Forgiveness is from God;
and it has been granted.
God is my all;
Hare Krishna.
Broken Hill, Australia
9 July 2022
Greetings and Welcome after what feels like a gap of forever since my last post.
Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.
And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.
Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.
And now I’m sharing it with you as a way of explaining why the gap, why the block.
Peace and love from me to you.
The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?
Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.
Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.
Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.
Eventually.
Greetings friends. I welcome you from my new hermitage in desert country.
You know, it’s an old idea, a cliché even, to say that we, all of us, are on a pilgrimage called life, a Hero’s Journey as it’s called by the Mythologists. And, on any such journey there is what those same scholars call a Call to Adventure.
They are the times when we are challenged by life to commit to an action that will stretch us somehow, take us out of our comfort zone, change our life; to make a move; take a risk; embark on a journey either internally or out in the physical world.
So, when I tell you I got a call to come out here to the desert, and that I answered it, why the necessity to add ‘eventually’? What happened to delay that journey? Well, that’s what our Mythologist friends call The Refusal of the Call.
They’re the times when, once we’ve heard the call, and when we’ve felt its rightness, we still say no. Not now. And we come up with all kinds of perfectly reasonable explanations for our refusal.
In my case, I said, hey, it’s fine here; I’m near the beach; I really have no reason to move; there are plenty of ‘other places’ to check out first. The excuses went on and on.
All along though, there was this place, this country, calling. Of course ‘the desert’ isn’t always or for everybody the literal sand covered land, that gets very hot, and is generally thought of as barren and even hostile. It can also be a metaphor for any place – or no place in particular – that is a place of retreat, a quiet place, a place for living apart from the mainstream of human life.
For some people inclined to a life of contemplation and solitude, this place might be a small hut in a forest or a wood, or a camp on a remote beach on an even more remote island. Then there are others who are called to an actual cave high in the mountains, or on the banks of some sacred river somewhere.
And, equally, the desert, the place of retreat, quiet, solitude, and living apart, may well be an apartment or house in a suburb, or even in the centre, of a big city.
Then there’s me: called to this desert town of Broken Hill, almost but not quite in the centre of the continent of Australia. It is deep in the arid zone: it’s very far out back here in the Outback, 1500 kilometres inland from the east coast to be precise.
Yes, well this is all well and good, but shouldn’t I be answering my own question: why eventually? Well, we’ve covered the excuses, but really isn’t that just plain old procrastination? Yes indeed. If we get back to our Mythologist friends once more, we learn there is a stage in this Hero’s Journey that follows on from the Refusal: The Supernatural Act.
These are the times when things happen that seem to come at us out of the blue, from no rational, logical, or explainable source. Something that we might find hard to beleive at first because it’s way out there; supernatural like it says.
But that supernatural bit doesn’t have to take a spooky form, it might be that the ‘supernatural act’ is an internal insight or realisation triggered by a perfectly natural occurance. That’s what happened for me. What was this non-spooky, natural event that prompted such internal insights and realisations in me and got me moving?
Rain. Yes, rain. It rained almost every day for over six months. I am very very blessed that I wasn’t affected by flooding as so many in nearby area were, and I am thankful for that. But it’s safe to say that rain, mud, no sun, and limited or no access to the outside for days or weeks at a time, soured my romance with the coastal lifestyle.
You could say that through the sound of rain on the roof, I could still hear the call of the desert. In fact it got so loud that, eventually, I could no longer ignore it.
So, eventually, I answered the call, and here I am. Here is a small miner’s cottage and my new hermitage, my new safe haven by the side of the road. The cottage is situated in a mining town that sprung up in the 1880s. So this cottage has been home to miners and their families for generations, including the current owners.
In a sense it’s quite likely that I am the first occupant who hasn’t been or isn’t a miner. Though you might say that my excavations, rather than being in the dark underworld beneath the surface of Mother Earth, are taking place in the equally dark, hidden interior places of Self. A mining of another sort you might say.
Before flying out here, I was thinking about what was actually calling me to the desert (putting aside the rain for a moment). After all, I lived in a small cabin in a park like setting literally five minutes walk to a pristine Pacific Coast beach; I had trees and forest like spaces all round, as well as a small river two minutes walk. And that’s not even thinking about the abundance of wildlife.
And it occured to me that it is the stillness of the desert that was calling to me. This town of Broken Hill is a mid size town (actually a small city with about 15000 people), with the usual shops, cars, people, and the rest.
Yet there is a stillness. No longer can I hear the constant sound of seawaves crashing. No longer can I sense the never stopping coming in and going out of sea tides. And out here, it seems like even the people are moving quite a bit slower too. I’ve yet to see a single person rushing about. And they seem to smile a lot as well.
The street I live on is extremely quiet, and even on the so-called ‘busy streets’ there isn’t the mad acceleration and braking we’d see everywhere on the coast. Of course there is the odd driver who thinks every car is a racecar, but where don’t you get that?
But, actually it’s more than this. There is, beyond the actual literal quietness, a silence that seems to exist as an entity or state of being in its own right.
A stillness that is a solid thing, just as on the coast there was (is I suppose) a constant frenetic atmosphere that seemed to overlay everything. People rushing – on foot or in cars – even when there seems to be no reason for hurry (though of course you can never tell can you?). And not so many smiles either.
Contemplative people, those seeking solitude, and peace and quiet in which to pray, to live slowily, and to explore the divine, have been drawn or called to deserts (in all its forms) for thousands of years or longer. And I am fortunate enough to have finally (eventually) heeded the call myself.
Here, away from the incessant acceleration and braking (I do like this expresion), and in that stillness that envelops this land, perhaps I can dig a little deeper, uncover a bit of quiet, and discover a piece of solitude.
Out here, in the Outback, life can be harsh for all living beings, often dangerous in its aridity and isolation. It’s a long way from major cities, food and supply chains are extended to extreme limits, and the human hold on the land is precarious at best.
Yet, the paradox exists: out here far from the fertile coasts, the soft sandy beaches, the major urban centres where the mainstream of (human) life goes on, there is a quiet, a peace, a stillness that seems to pervade the very air one breathes.
A wise person wrote something short and sweet that sums all this up for me:
There is a stillness in the wildness.
Notes from the Hermit's Cave 