Making Peace with Poetry and a Prayer

Namaste my friends

The poem I want to share with you today has, I think, been shared on this blog before. I haven’t checked because I didn’t want to be tempted to censor myself and not post it again if it has been posted.

The poem, titled simply Peace Prayer, has a repeating refrain in each verse:

Our Lady Queen of Peace Pray for us.

A couple of days ago I came across a church dedicated to this particular manifestation of the Divine Feminine. I know it doesn’t seem to be such a far-out coincidence, but up till then, I had never encountered a church with this name.


So, obviously, it reminded me of my poem, written a couple of years ago now. As well as the story that prompted its writing:

When I was 12 my father went to war. As a professional soldier, he went as a part of this country’s commitment to its American allies in its war against Vietnam.

Our family was, at least nominally, Christian at that time, and anyway, desperate times do indeed call for desperate measures.

Which means we, my mother, my sisters, and I, formed a tiny prayer circle every night for over a year to pray for my father and for peace.

These days I no longer label my beliefs, not if I can help it anyway. What I seek now is the Divine wherever it is to be found. Which is everywhere of course!

In any case, here is my poem. It’s always the right time to pray for peace, though we should always remember our prayers are really directed at ourselves. It’s up to us to answer the prayer as we are able and see fit.

Peace and love to you all.

Peace Prayer

The father, the husband, the man of the house
He’s away. At the war.
Our Lady Queen of Peace pray for us.

Away at the war, yes,
In a far off land. Not his own.
Our Lady Queen of Peace pray for us.

Away at the war. “Incountry”.
that’s what they call it.
Our Lady Queen of Peace pray for us.

At home the children, the wife and mother wait.
Wait and pray.
Our Lady Queen of Peace pray for us.

At home they wait yes.
Each night on their knees,
in a circle. Prayer circle.

Away at the war, he is fighting. For what?
At home, they are praying. For what?
Our Lady Queen of Peace pray for us.

Silence, Solitude: Where can I find it?

Remain in your cell, and your cell will teach you everything

This piece of advice from one of the early Christian desert hermits to a follower has been going round in my head for ages. And I mean a couple of years at least. I’d read it in several books at the time, and I’ve seen it in a few since.

Of course, most of the writers of those books interpreted this advice at face value, literally advising the student, hermit, monk, or other contemplative person to stay in their physical cell (hut, cave monastery cell, suburban bedroom, wherever is their permanent dwelling) and listen, meditate, study, and contemplate. The advice is, stay in that space in silence and seclusion. Quite possibly forever.

‘But it could be the cell of your Self,’ my partner hermit said to me one time. And yes, I thought, that’s exactly right. I liked the symbolism. The actual literal, physical space and its geographical location isn’t necessarily the important factor. What’s important is that you, the real you is actually fully present wherever you are, right here, right now.

Think about what it really means to be present – to be here now: It means that you can say, ‘This is the only space and the only moment that exists. Right here and right now.’

Living life is an ever-flowing movement or process, and at the same time (excuse the unintended pun) is always occuring in the present. And in that ongoing moment you – your Self -is always there.

Of course along for the ride is your little s self with its ego, chattering and never quiet mind reminding you of the distractions, stresses, anxieties, worries about things to do or not do, memories of the past, and fears for the future. It goes on and on.

But, still, that space within where you can meditate, pray, contemplate quietly, that’s your Self, your ‘cell’.

I’ve always liked and worn hoodies. I guess a lot of people do. For some it’s about fashion; others wear them for warmth in cold weather or to keep the sun off when it’s hot; some people even use them to hide.

Then there are others such as nuns, monks, priests and others too, for whom a hood is a part of the robe they wear as a member of their particular group.

In those cases, a hood is called a cowl and most often it’s a largish loose hood sewn onto the robe or habit. Just like a regular hoodie.

I read somewhere (I forget where) that some groups nickname these cowls ‘cells’. In other words, the wearer carries their cell with them wherever they go.

Of course they don’t always actually wear the hood on their heads, but whenever they wish or need to retreat to their cells, all they have to do is simply pull their hood up and over their head and all of a sudden they are in their own private and solitary world; they are in their cell.

As I said earlier, I like the symbolism. But more than that: I find wearing a hood on my head or simply in standby mode, comforting.

I’m not overly good with crowds, or in close proximity to other people on a bus or train or whatever. I like knowing that just by pulling my hood on, I’m able to create my own space apart from my surroundings. In that space I can feel safe and kind of apart.

Even at home I wear a hood when I’m meditating or praying. It’s just one more opportunity to retreat into my cell, into Self

Peace from the Hermit to you

I Live On a Big Round Ball

Namaste friends

Recently I came across some notes I’d made about a book I read ages ago, at least a year I think. Anyway, the name of the book: The Art of Mindful Walking. Sorry, but no prizes for guessing what it’s about.

Reading my notes I see that I had been particularly taken with what the author had to say about ‘our place in the Universe’. He reflects on our – humanity’s that is – perception of our size in the big scheme of things.

The author recounts how we once went for a walk with American astronaut Dave Scott, who’d been to the moon on one of the Apollo missions. Scott described to him what it felt like looking back at Earth from the surface of the moon:

It hangs in the black sky like a glass bauble, a blue and white Christmas decoration. It’s a small, fragile world.

Ford then goes on to reflect that this image, of a small, fragile ball floating in space, has ‘become a part of the modern psyche’. Then he says:

We begin to see how vulnerable we actually are. We are the first generation truly to see this. We are also the generation that is coming closest to polluting and destroying it.

I don’t think I’d quite looked at it in this way before. And I admit, it stunned me a bit.

Just think: Of all the humans who have ever lived, those alive in the last 50 or 60 years have been the first to see our home planet in its entirety. At least we’ve had the good fortune of seeing images of Earth just as those astronauts saw it. Thanks to those images made from space, we now have had a glimpse of where we actually live and the nature of our world.

Yet, at precisely this point in our history as a species, when we have that particular knowledge, this is the time we seem to be almost wilfully destroying the very ground we walk upon, the air that keeps us living, and the water without which there is no life.

I’m not a warrior. I am a hermit and a pilgrim and I try hard to not make judgements. As such, I can only look on in wonder.

And I can pray.

Thanks to Jimmy Buffett for the title. It’s a line from one of his greatest songs, called Defying Gravity. Thanks Jimmy for all the music man.

Is Life Too Short for Perfect Writing?

Greetings and welcome friends

Let me share a little secret with you: I have and always have had, atrocious handwriting. And it’s always been a major frustration (but a huge incentive to learn to type, which is one of the best things I’ve ever done).

Perhaps it’s because I had some sort of learning difficulty, maybe it happened because every state in Australia has a different way of teaching kids handwriting, or maybe its just that I was and am lazy. Actually, scratch this last one: I am not nor have I ever been lazy.

Anyway, it appears to be a fact of life, yet I do still get frustrated from time to time. But then there are times when I decide not to care, that it isn’t important, doesn’t matter. Being in one of those indifferent phases right now, has reminded me of an incident that should have taught me this lesson once and for all.

A while back I was gifted a small painting. The artist wasn’t satisfied with it as a background of a planned piece, and gave it to me thinking I might like to ‘do something with it’. I happened to think it quite a lovely painting in its own right actually, and as I was looking at it, I thought of a leaf I had collected a couple of weeks previously. A beautiful very soft and pliable purple leaf from a lovely shrub.

So, right away I just got to sticking that leaf onto the painting. As I pressed it down, a little tear appeared in the leaf. Immediately a lyric from Leonard Cohen‘s Anthem came into mind:

There is a crack, a crack in everything. Thats how the light gets in.

So, I began writing bits of the lyric onto the painting. Untidy, irregular and typically atrocious the hand writing, or printing, is. But then it struck me: that’s the point! I mean the point of Mr C’s sublime words:

Ring the bells that still can ring
Forget your perfect offering.
There is a crack, a crack in everything
Thats how the light gets in.

Here’s how I thought about what I’d written on the painting and how I’d written it: I rang a bell that I can still ring: I thought of and wrote down those beautiful lyrics to compliment the accident (is there any such thing as accident?) of tearing a leaf on a painting that ‘didn’t work’ for the artist, but that was working for me.

Therefore, the painting, the torn leaf and my handwriting was not a perfect offering in any kind of conventional sense as the world would view it. In other words there is a crack, both literal as in the tear in the leaf, and metaphorical as in the imperfections of the whole piece.

But—and here is the vital thing—this little painting, despite its initial rejection by the artist, and with its imperfections, its sloppiness, and its flaws, has provided a channel for light to get in. Into my life, into the piece itself, and now, through this sharing, into your life.

So, who cares if my handwriting is not conventionally perfect or is untidy, uneven, and even a bit tricky to read? I love the message in those lyrics; I felt that this lovely painting with its torn leaf to be the way to put that message in a concrete form. I mean, really, isn’t life too short for perfect (hand)writing?

PS I no longer collect leaves and trap them in this way. I may collect them, but after a time, I return them to their natural environment. Fallen leaves have their function in the cycles of nature too.