I’m Not Afraid of Your Tears

What a piece of magic this is!

Sarah Bernhardt as Prince Hamlet (Public Domain image)

No, it’s not a quote from Shakespeare. Mind you, now I think about it, there’s a line in Hamlet, where the man himself is monologuing about the human condition and declaims a strong-felt sentiment:

What a piece of work is man! [sic]

The reality is that first quote is from someone far more mundane than the bard: me. The occasion on which I uttered this equally impassioned statement was as I sat holding my smartphone and listening to the music flowing from it through bluetooth fairy land and into the headphones I was wearing.

The truth is I was at that moment just awestruck and a bit overwhelmed with what I was hearing, and just as significantly, with how I was hearing a particular song.

Not being a materialist by any measure, my phone and headphones are nowhere the latest or top of the line models, but still, to me, what I was hearing was magnificent. It’s the only word that fits really.

Anyway, that isn’t exactly what I want to write about today. Reflecting on the experience described above, got me thinking about the actual song I was listening to. And that’s what I want to write about now.

The song in question is written and sung by Australian singer-songwriter Cyndi Boste (died 2018) and is called Cry Down on Me. Here are the lines that have struck me particularly:

I’m not afraid of your tears.
Cry down on me
I’ll make sure nobody hears
Cry down on me.

Before we go on, a short note. Until I started research for this post I had my own idea of what ‘Cry down on me’ means. Seems I got it wrong. However, for this post I am choosing to believe that the songwriter agrees with me. If you look up the meaning and then listen carefully to the lyrics, you’ll see that perhaps I didn’t get it wrong after all.

Essentially here we have the singer/protagonist reassuring another person (friend? lover? sibling? We don’t really find out, but if I had to guess, I’d say they are lovers) that they are safe to share their tears, their sadness, anger, fears and so on. Most of us at some time or another (or always?) have been afraid to express or share our emotions, to show our tears.

So, why is our protagonist going to make sure nobody hears the other’s tears? Well, she is obviously aware that the other is at the very least embarrassed, perhaps afraid of being ridiculed, rejected, or perhaps they’re worried about appearing ‘weak’ or making themselves seem vulnerable.

And how did she come to that awareness? I think she has seen this other with the eyes of her heart, seen their need. And now she’s telling them: ‘Look don’t worry, I am listening to you with my heart and I can hear you.’

We are exposed to so much ‘noise’ from everywhere all the time. Even the tears of a loved one can be lost in the overall din that sometimes threatens to smother us all.

And of course we’re not just talking about literal tears here, and the sound the shedding of them makes: anything said, written or otherwise made known that is of substance, or real importance and meaning, is threatened with annihilation by all the trivia, gossip, advertising, round the clock news, and what I often call the general blah blah, that passes for life in the modern materialistic world.

Of course to protect ourselves from all that noise, it’s no surprise that we so often only listen with our physical ears, see with our physical eyes. Actually having said that, I know from my own experience that even that level of engagement and attention can be a struggle sometimes. And doesn’t that struggle sometimes lead us to closing down altogether?

I guess the answer lies in what Buddha call The Middle Way or Path: The bottom line is that we can choose what we listen to (or look at) and what we don’t. No need to switch off and isolate ourselves completely from the ‘outside’. Nor is it necessary to leave ourselves wide open to all that noise.

Like our protagonist in the song, we can listen with the ears of our hearts; we can see with the eyes of our hearts. It is in our hearts that love lies, where Truth lives. We can say to that other that we are listening and seeing with our hearts, while at the same time reassuring them that nobody, including us, is going to simply be hearing or seeing you only with physical ears and eyes.

The last time I listened to the song (yesterday: it’s become a big favourite) I had the thought that maybe our protagonist is reminding her Self that she’s listening. Sometimes our ‘real’ self can feel like a stranger, as if that Self is someone unknown, and living as a separate entity outside of us can’t it?

It’s at that heart level where we can truly listen, truly see, the other. And whether that other is one’s Self or another person, the truth is there really is no difference: your heart is truth, the other’s heart is truth, and it’s the same Truth.

On the Road Again and a New Photo Blog announcement

Namaste friends

Welcome again to my blog. It’s always a good feeling when I sit at the keyboard to begin a new post to you.

And for this post,I have some news: this hermit is back on the road again. But, I hear you asking: aren’t you as a pilgrim always on the road, on the move? Yes all true; a pilgrimage like mine (life) is never-ending, permanent. Just a state of being you could say.

So, after a few months in the desert hermitage, we felt lead to move to Sydney, to another cave; another safe haven by the side of road.

This move has felt right and gone smoothly from the first thought, the initial feeling, to the actual trip here, right down to the comfort and contentment we feel in this new hermitage (in reality a small apartment beneath a house with a lovely garden, in a quiet street).

My second piece of news is that I have made another blog, one just for my pictures. Of course my posts here are always illustrated with my photos, but after deleting all my social media accounts (another bit of news I suppose) I felt the need for an alternate place to share my art. It’s on a different platform and it would be terrific if you could follow me there.

The blog is called Pictures from the Heart of a Pilgrim, and you are invited to visit, to follow, to comment. to connect. Just click on the link here.

There are only a handful of pictures on that site so far, but I’m working on expanding it, so please make sure you visit more than once. Better still, subscribe so you can be notified whenever I post.

I think that’s it. Maybe I will post about deleting social media accounts. But, somehow I don’t think I will: they’ve gone and I’m happy about that. I’m not alone I know in making that decision.

So, till next post, thank you for your support.

Love and Peace

Paul

When Misreading is no Mistake

We’ve all  had this experience I think. I’ll be reading something, and right away I’ll come to a conclusion, become either sure of something or the complete opposite; I can be confused, force myself to ask more questions. I can even have brilliant insights or realizations.

No? Well, maybe it’s really just me then. But, wait there’s more: this is a two part experience. When that second part happens we will come to realise that what we think we read is nothing at all like what the words on the paper (or screen) actually said in a factual sense.

Yes, you’ve probably guessed by now that there’s a story coming. In fact this exact thing happened to me this morning, all the way to the brilliant insight or realisation bit.

In fact it was a brilliant realisation, the only problem was that it was based on only on what I thought I read, not what was actually being said.

Anyway, I was reading the verse quoted below, from my Bhagavad Gita and a sudden flash of insight hit me.

Despite these five lines saying a particular thing in a clear and precise manner, I somehow misread the first three lines to say:

All beings ensue from Me.

Bhagavad Gita Ch 7:12

Somehow my mind skipped the ‘states of’ bit and made a leap that actually lead to a great realisation: Of course, I thought; God is not in us (as in living beings), it’s we who are in God.

Which to me means that we are all part and parcel of God. I’m not saying, I’m God; I’m not saying you are either. What I am saying is that all creation as one, unified whole, is in God. And if that one unified whole does indeed ensue from God, then it follows that all of creation is God.

As individualized, embodied entities, we (along with all life everywhere) are simply manifestations in the material form of that divine energy, that life, that truth; that which we often call God.

Now, this is an instance of a flash of insight leading to a truth, when the receiver of the insight (that’s me) is engaged with what you might call some other factual reality, that is, the actual words on the page.

At first I thought, that’s weird: how did I misread all those words related to states of being? I mean they are pretty clear right? But then I thought, no, maybe not so weird. In fact, it makes sense.

How can my material mind and intellect possibly be expected to always keep its millions of thoughts, ideas, impulses and the rest, in perfect order each thought or whatever following completely logically from the one before and to the one after? It’s never going to happen is it? Not for any of us (Well maybe I’m overstating my case here, but you know what I mean).

And if mind does indeed operate on what seems on the face of it to be a random basis, then it’s perfectly reasonable to suppose that one might be prompted to some momentous insight by, well by anything really. Even if it’s a conclusion jumped to after the misreading of a text.

In this case though, that jumping to conclusions, even though based a misreading, has turned out to be a genuine realisation that I feel on an intuitive level; my instincts tell me it’s Truth.

Jai Gurudev
All that I am today is by your grace.

Lessons from Butterflies

Yesterday found me (for a couple of hours anyway) out on the suburban streets close to the hermitage. Camera in hand and trying to cultivate an attitude of Contemplation. Working for the moment my heart, my head, and my mind all came together to help my camera make a photograph.

Well, in terms of contemplative photography, the outing was a bit of a struggle: getting into the Zen Zone isn’t always easy. And come to think of it, it’s not always part of the plan is it?

I don’t mean the little plans and intentions the ego comes up with about how things are going to turn out. I’m talking here about The Plan: what the Divine has in the works for us.

Anyway back to my walk. I kept walking, sometimes making photos. As I said, it wasn’t easy getting in the zone. Suddenly my eyes were drawn to a particular house. As I looked through the viewfinder I noticed a butterfly on the wall. On the window actually.


Not a living, flying, being as you can see. More of a kind of garden ornament attached to the front of the house. It struck me as I continued looking, that I’d already seen – and photographed – several ‘butterflies’ so far in that walk.

Four actually. In the space of an hour, and within a couple of streets of home. I’d seen them on walls, windows, and on doors.

Through time and in many places around the world, various cultures have looked at butterflies as symbols of transformation, for change, and renewal.

And, it seems to me, that butterflies can appear to us almost lighter than air. They kind of float on the air currents. They’re also known for their darting way of flying in what might seem to us one random direction then another.

So, butterflies have also been seen as symbolic of the human mind with its tendency to dart all over the place from one thought to another. They are said to remind us that we can in fact control and direct the mind.

In that case then, were these repeated encounters with butterflies – albeit of the ornamental variety – some sort of message for me? Perhaps I was to slow down, stop taking myself so seriously and to make changes? And of course remembering that I’m perfectly able to deal with consequences of any changes I make.

A Window for Two

Well, here’s the funny thing. Literally not until I sat down to draft this blog did it occur to me that I have in the last couple of days made what for me seem monumental changes. Or to be more exact, I have put into motion changes that are yet to reveal what if any transformations they might lead to.

You see, over the last few days I have been systematically deleting all my social media accounts (with the exception of a messenger app to speak to my son). I’ve had most of these accounts for up to 15 years or more. So, while I’m absolutely certain that this act of detachment from some of the things in the world that don’t sit well with my nature, I’m still feeling a bit lost, a little empty.

Okay, the butterflies: what have they to do with any of this? Transformation? Change? Lightness? And the ability to float through changes in life? Yes all of these. And we all know very well that butterflies undergo some pretty tough transformations as they evolve into what they are to become.

Who Invited the Lady Bugs?

Something I read once said that if you see a butterfly you should look at what you’re thinking; ask yourself what’s next for me? What changes are in store? Although all those butterflies of yesterday were ornaments on walls and so on, I have actually at other times been privileged to photograph living and flying ones.

In fact just the day before yesterday I met a small white butterfly flitting from one white flower to flower. In the space of a very short time, this beautiful creature gifted me with a very small moment’s stillness, and it gave me a photograph. Here i share that one with you.

Early Christians associated the butterfly with the soul. So, yes, you could say that my meeting with that particular butterfly was a meeting of souls.

But what of the garden ornament, inanimate butterflies met yesterday?

Well, everything’s got soul don’t you think?

Peace and love

Homage to Holiness: A Story to Share with You

This morning as I do most mornings (trying to make it every morning) I sat for my practice starting with some prayers and reading a a few random verses from Bhagavad Gita.

Then I settled to spend some time in devotional chanting of mantra. For a change this morning, while chanting I listened to a lovely album of devotees chanting the Hare Krishna mantra:

Hare Krishna Hare Krishna
Krishna Krishna Hare Hare.
Hare Rama Hare Rama,
Rama Rama Hare Hare.

I reached for my mala (prayer beads or rosary) and as I mentally repeated these holy names in accompaniment to the recording, I held a bead between my fingers for each repetition, focusing on the chant.

Now, chanting is much like any other human activity: that is to say, the mind is always there. Usually it manages to bring up all kinds of irrelevant fears, memories, questions, you name it. Today, however, one of those supposedly random memories actually caught my attention in a good way and took me along.

As I continued handling my prayer beads I thought about a story I read in India nearly 15 years ago now. The story concerned prayer beads as it happens. Buddhist nuns, imprisoned in Tibet, were forced  to resort to making their own rosaries in secret after their meagre belongings had been seized.

Almost ten years later, after another extended stay in India, I finally was able to write about this story. In this instance it came into being as a poem I called Homage to Holiness. May I share it with you here?

Homage to Holiness

Threads harvested from threadbare clothing.
Pea-sized bits of bread, sliced from meagre rations,
secretly hoarded for sacred purpose.

Mala makers work at night
in the dark of the stinking and freezing stone cell.
Chewed bits of bread become dough again,

and, by feel, frozen fingers knead the dough
until tiny beads are created.
An even tinier twig, again by feel, pierces each bead through.

Then in solemn prayerful silence and focus,
the nun passes her harvested thread through the first bead.
She ties a knot, no easy task with freezing fingers in the frozen dark.

And so it goes; all sacred duties take their own time.
One by one; one bead of bread threaded; one knot knotted.
The nun nears collapse. But now, at last, her task is done.

As the last knot is knotted, the last bead in its place,
the nun sighs and mutters, whispers, a prayer of thanks.
One hundred and eight beads – plus one – made, and strung
Her Mala
Om Mani Padme Hum

Probably the most sacred and significant of all Buddhist Mantra, Om Mani Padme Hum, means something like ‘the jewel is in the lotus’. But many would say it goes a lot further than the mere literal translation of the words; It is said to be the actual path to Enlightenment. There is a huge amount of information on the Internet about this mantra, so if you’re interested a good place to start is at this link.

Whatever the actual literal meaning, interpretation, or who chants it,  I think we can all agree that the intent of this mantra is to have us focus on the divine, or on the Ultimate or Absolute reality. The same as any mantra one might choose actually. Remember last post? God is.

in any case, I think somewhere above I’ve used the word random. Well I should know better by now: no such thing as random. One of the Bhagavad Gita verses I read – in fact the final one I left marked with my bookmark – seems to me fit very nicely with that ‘random’ memory of a story read years ago, and my humble retelling of the story in a poem many years later

One who knows the Absolute and whose intelligence is fixed on the Absolute is not moved by pleasure or pain, pleasant or unpleasant happenings.

Bhagavad Gita 5:20

Did that nun imprisoned as she was in the dark and the cold feel that pain? Did she feel fear? Of course she did. The thing is, she was, as constantly as her circumstances allowed, fixed on the Absolute: the activity of making the mala, the intended use of the mala, and her prayerful attention and devotion as she worked, all enabling a complete fixing of mind, heart, and attention onto the Absolute.

The cold was still there; the hunger and fear too. But this nun was able to remain centred, you might even say calm and content, despite the dire situation.

Actually content was a word I read in relation to this nun and her sisters (she wasn’t alone in that prison cell): From what I read they were released after some time, and eventually escaped to India where they rejoined friends, family, and of course their leader the Dalai Lama

At the time the story was being recorded for posterity, the Mala Maker reported that she was happy and content and leading a full and fulfilling life. I imagine her as still being fixed on the Absolute.

Thank you for allowing me to share these moments with you
Love and peace

Tell Me: What is God? Dominus Est

Welcome dear reader

Have I shared with you my Bhagavad Gita? Well, I know I’ve mentioned a few times that it’s one of, if not the primary resource for study and guidance for me.

As you’ve probably guessed, this is a quick photo of the inside of the front cover. And, again as you’ve noticed, I like to stick things in my books, especially this little one. (Actually now I mention it, this is the only book in the traditional format as in made of paper, I own). It’s an old practice and for me adds multiple dimensions and depths to what is already a treasure.

Sometime I’d like to go through and describe to you all that I have added, but for today, do you see the little green section with the words Dominus Est printed?

In the religious tradition I was raised in, these two words have a specific meaning and use. However, it’s only recently that I’ve come to think of this little Latin phrase (well technically it’s a sentence, but …) in the sense of the literal meaning of the words themselves: God is.

That’s it. Or the Lord is, or the Master is. If we change the Dominus, we can use this tiny sentence to define our conception of the divine, the holy, in any way that seems right: Truth is, Beauty is, Art is. For me, God is, sits right. As do the others in this list. Same same.

So, God Is. What else could possibly be said that would add to this already very emphatic and simple statement? Nothing at all. It’s stand-alone, complete in itself.

Like asking who or what is God, we can answer: ‘I am this’ or ‘I am not that’. Or we can realise what for me is becoming the only answer:
I am.

Why? Well, if we were to add anything at all to these two words, such as God is Truth, or God is Love, or God Resides in …, or God is called … , then we are in fact stating only a little of the truth. Sure, God is truth and love, and goes by many names and is found in many forms, but once we say what something is, we are actually making more of a statement about what it is not.

In the beginning there was the word, and the word was with God, and the word was God.

Mind you, it’s perfectly natural, and for many of us helpful, even necessary, to ascribe to God a name and or form. We are ourselves material beings, living in a material universe; it’s logical that we would choose (or need) to see God in a word, a physical object, or attribute some other kind of materiality to our notions of the divine.

I must say that I am one of those who find it difficult to envisage an invisible, non-physical, and impersonal ‘God’. Of course, our little statement, God is, does indeed say just this doesn’t it? Isness is pretty non-corporeal, certainly not in the least physical. And isn’t even a ‘spirit’ or ‘entity’ of any kind; Isness just is. The moment we label something (including ourselves) we miss that isness, that essence.

You see my picture of Krishna and Radha? This form, or forms, is one of the several that I feel right in having as a kind of focus, or centre of my devotion to and love for the divine; for love, for truth, and for it all.

You might be saying, this guy does believe in a personal God. He just told us. The truth is I don’t believe or not believe that Krishna (or any of the myriad names and forms we’ve invented) is God. God simply is. And my heart tells me that this is enough.

There are a pair of theological ideas known as Cataphatic Theology, and Apophatic Theology. Cataphatic describes or approaches the divine by stating what God is, while Apothatic (you guessed it) describes God by speaking only of what God is not.

My guess is that pretty much everybody, from whatever tradition, would approach the divine (and not only the divine) in one or other of these ways. But for me it was such a relief to realise that there was no need to go there at all. I could stop with the definitions and the descriptions, the what is and what is not. I have the freedom to not have to believe or not beleive. None of it matters. Dominus Est. God is.

Am I there yet? Have I let go of dualities? Hardly. Maybe the odd glimpse, but it’s rare. And it always will be for as long as I live in a physical body. But to paraphrase something Swami Ramdas said:

I’ve set my feet upon the path, so I am already at the goal.

Peace and love from me to you

God is My All: A Reaching Out, a Rap on time, & a (sort of) unrelated poem

Namaste and Welcome to you.

I can’t remember when I wrote my last post. And of course it isn’t relevant at all is it? I mean to say that in the contemplative life, time sometimes seems to take on some other kind of character.

Or at least I should say that one’s perception of the passage of time shifts; nothing unusal there I hear you say, and of course you’re right. Just thinking out loud I suppose.

For me, having a right perception of time is an important aspect of my Sadhana, my practice: yes, it’s true: time is seen to fly, or it is frustratingly felt to drag. But my aspiration is to see time as simply a human construction that we use to limit, structure, bind, define, and place all kinds of restrictions on our lives.

Which for me, simply means that there is only presence or Presence; only the ongoing continous moment (what we often call The Now). Easier said than done mind!

Swami Ramdas (known as Papa to his followers)

In any case, here I am, just where God would have me be. Feeling strongly to reach out to you, I remember the poem (it’s not really about time in the sense we’re discussing it so far) that emerged the other day after reading a quote from Swami Ramdas that seemed to be an answer to some thoughts I’d been having.

I’m grateul for this, all of this. And for you too, the reader of these musings offered with humility and thanks.

Peace and love from me to you.

GOD IS MY ALL

Thinking thoughts
as if battered by demons.
Memories arising of my own evil deeds, selfish and cruel.
Right away I turn to God:
God is my all;
Hare Krishna

Forego repentance,
relinquish regrets;
you are filled with God,
the supreme essence of life.
God is my all;
Hare Krishna.

Through Papa Ramdas
I hear the Universe speak:
Forgiveness is from God;
and it has been granted.
God is my all;
Hare Krishna.

Broken Hill, Australia
9 July 2022

ANSWERING THE CALL LEADS TO MORE QUESTIONS

Greetings and Welcome after what feels like a gap of forever since my last post.

Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.

And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.

Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.

And now I’m sharing it with you as a way of explaining why the gap, why the block.

Peace and love from me to you.



The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?

Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.

Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.

Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
                                             

A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.

Lord Buddha graces the hermitage front garden

The Desert Called, and I Answered

Eventually.

Greetings friends. I welcome you from my new hermitage in desert country.

You know, it’s an old idea, a cliché even, to say that we, all of us, are on a pilgrimage called life, a Hero’s Journey as it’s called by the Mythologists. And, on any such journey there is what those same scholars call a Call to Adventure.

They are the times when we are challenged by life to commit to an action that will stretch us somehow, take us out of our comfort zone, change our life; to make a move; take a risk; embark on a journey either internally or out in the physical world.

So, when I tell you I got a call to come out here to the desert, and that I answered it, why the necessity to add ‘eventually’? What happened to delay that journey? Well, that’s what our Mythologist friends call The Refusal of the Call.

They’re the times when, once we’ve heard the call, and when we’ve felt its rightness, we still say no. Not now. And we come up with all kinds of perfectly reasonable explanations for our refusal.

In my case, I said, hey, it’s fine here; I’m near the beach; I really have no reason to move; there are plenty of ‘other places’ to check out first. The excuses went on and on.

All along though, there was this place, this country, calling. Of course ‘the desert’ isn’t always or for everybody the literal sand covered land, that gets very hot, and is generally thought of as barren and even hostile. It can also be a metaphor for any place – or no place in particular – that is a place of retreat, a quiet place, a place for living apart from the mainstream of human life.

For some people inclined to a life of contemplation and solitude, this place might be a small hut in a forest or a wood, or a camp on a remote beach on an even more remote island. Then there are others who are called to an actual cave high in the mountains, or on the banks of some sacred river somewhere.

And, equally, the desert, the place of retreat, quiet, solitude, and living apart, may well be an apartment or house in a suburb, or even in the centre, of a big city.

Then there’s me: called to this desert town of Broken Hill, almost but not quite in the centre of the continent of Australia. It is deep in the arid zone: it’s very far out back here in the Outback, 1500 kilometres inland from the east coast to be precise.

Yes, well this is all well and good, but shouldn’t I be answering my own question: why eventually? Well, we’ve covered the excuses, but really isn’t that just plain old procrastination? Yes indeed. If we get back to our Mythologist friends once more, we learn there is a stage in this Hero’s Journey that follows on from the Refusal: The Supernatural Act.

These are the times when things happen that seem to come at us out of the blue, from no rational, logical, or explainable source. Something that we might find hard to beleive at first because it’s way out there; supernatural like it says.

But that supernatural bit doesn’t have to take a spooky form, it might be that the ‘supernatural act’ is an internal insight or realisation triggered by a perfectly natural occurance. That’s what happened for me. What was this non-spooky, natural event that prompted such internal insights and realisations in me and got me moving?

Rain. Yes, rain. It rained almost every day for over six months. I am very very blessed that I wasn’t affected by flooding as so many in nearby area were, and I am thankful for that. But it’s safe to say that rain, mud, no sun, and limited or no access to the outside for days or weeks at a time, soured my romance with the coastal lifestyle.

You could say that through the sound of rain on the roof, I could still hear the call of the desert. In fact it got so loud that, eventually, I could no longer ignore it.

So, eventually, I answered the call, and here I am. Here is a small miner’s cottage and my new hermitage, my new safe haven by the side of the road. The cottage is situated in a mining town that sprung up in the 1880s. So this cottage has been home to miners and their families for generations, including the current owners.

In a sense it’s quite likely that I am the first occupant who hasn’t been or isn’t a miner. Though you might say that my excavations, rather than being in the dark underworld beneath the surface of Mother Earth, are taking place in the equally dark, hidden interior places of Self. A mining of another sort you might say.

Before flying out here, I was thinking about what was actually calling me to the desert (putting aside the rain for a moment). After all, I lived in a small cabin in a park like setting literally five minutes walk to a pristine Pacific Coast beach; I had trees and forest like spaces all round, as well as a small river two minutes walk. And that’s not even thinking about the abundance of wildlife.

And it occured to me that it is the stillness of the desert that was calling to me. This town of Broken Hill is a mid size town (actually a small city with about 15000 people), with the usual shops, cars, people, and the rest.

Yet there is a stillness. No longer can I hear the constant sound of seawaves crashing. No longer can I sense the never stopping coming in and going out of sea tides. And out here, it seems like even the people are moving quite a bit slower too. I’ve yet to see a single person rushing about. And they seem to smile a lot as well.

The street I live on is extremely quiet, and even on the so-called ‘busy streets’ there isn’t the mad acceleration and braking we’d see everywhere on the coast. Of course there is the odd driver who thinks every car is a racecar, but where don’t you get that?

But, actually it’s more than this. There is, beyond the actual literal quietness, a silence that seems to exist as an entity or state of being in its own right.

A stillness that is a solid thing, just as on the coast there was (is I suppose) a constant frenetic atmosphere that seemed to overlay everything. People rushing – on foot or in cars – even when there seems to be no reason for hurry (though of course you can never tell can you?). And not so many smiles either.

Contemplative people, those seeking solitude, and peace and quiet in which to pray, to live slowily, and to explore the divine, have been drawn or called to deserts (in all its forms) for thousands of years or longer. And I am fortunate enough to have finally (eventually) heeded the call myself.

Here, away from the incessant acceleration and braking (I do like this expresion), and in that stillness that envelops this land, perhaps I can dig a little deeper, uncover a bit of quiet, and discover a piece of solitude.

Out here, in the Outback, life can be harsh for all living beings, often dangerous in its aridity and isolation. It’s a long way from major cities, food and supply chains are extended to extreme limits, and the human hold on the land is precarious at best.

Yet, the paradox exists: out here far from the fertile coasts, the soft sandy beaches, the major urban centres where the mainstream of (human) life goes on, there is a quiet, a peace, a stillness that seems to pervade the very air one breathes.

A wise person wrote something short and sweet that sums all this up for me:

There is a stillness in the wildness.

Let Me Tell You About a Visitor I had This Morning

Greeting and Welcome to you

Quite a long time ago now I half wrote a book. I mean to say, I wrote half the thing before giving up. The book was going to be called When a Pet Dies, and was about, well exactly what the title suggests. All the practical stuff that you’d expect, as well as ways to deal with the grief over the loss of a companion animal .

I thought at the time that the reason it was only half written is that, once I got through that practical stuff and was ready to tackle the grief and loss parts, some kind of lethargy set in, or I got lazy. Or perhaps, I was thinking also, the muse for that particular project had simply left and was gone. So it remains half written.

So, why am I musing over this half done, half forgotten project from long ago? Well, let me tell you about a visit I had this morning.

I was sitting, focusing on chanting my mantra. Suddenly I felt an absolutely overwhelming sense of loss and sadness. I don’t recall thinking of anything in particular beforehand, but the sense was overpowering. Flooded with grief is what they call it I think.

Lofi (on the right) with his sister Shanti

And then, just as powerfully, I sensed the presence of Lofi, my cat who died in my arms over ten years ago. Immense feeling of presence is what I wrote in my notebook. Now, I’m not saying he was literally there with me. I’m also not saying he wasn’t. All I can say is that it was among the most intense of similar experiences I’ve had over the years. Anyway, that’s most likely what got me thinking about my incomplete book.

Later this morning I was sitting with my partner on a benchseat overlooking the sea, the bit of the Pacific coast I’ll be leaving behind next week.

Actually, now I’ve mentioned that, you might remember from my last post how keen I am to get out there to the desert. That excitement and anticipation doesn’t mean for a second that I’m not feeling quite sad about leaving the coast.

Anyway, we were just sitting there and chatting on and off, when suddenly a thought seemed to push its way to the surface. I all of a sudden knew why I stopped where I did when writing that book. I realized in a strong and convincing way that you can’t build a structure to define what grief is or how or if it should be experienced, by whom and when.

I’m not talking about the ‘truism’ that one hears all the time that says that the ‘stages of grief’ are in a set order, until they’re not. Actually come to think about it, I’m not even sure this is true. I mean, I’m not sure it (grief) is a thing to be labelled, quantified, recorded, predicted, analysed.

I mean, who’s to ever say how any other individual, or even oneself, will feel about anything at all? Sure, there might be a ‘typical’ set of responses to any given circumstance, such as a loss, but even the proponents of such theories will tell you that none of us is typical.

Which kind of leads me back to my feeling of oneness with my Lofi earlier in the day. Obviously I’m not alone in having such feelings. How often has any one of us heard other people say, after they’ve lost a loved one:e, ‘S/he was really here. It was so real’.

Such experiences can occur anytime, even decades after the loved one has left. I’ve mentioned somewhere else that I’m reading (in little chunks) a great book by Joseph Campbell, the renowned scholar of myth. Let me share with you a quote from the section I’ve been reading today where he’s talking about how art in India seeks to portray the divine in all things:

This is the wonderful song that one hears when one reads the Bhagavad Gītā or any of the great texts of Eastern philosophy. This is the song of that immortal spirit that never was born and never die.

Of course this isn’t meant to be a consolation to myself or anyone else. After all, we are physical beings, living in a material, solid and apparently ‘real’ world. So, naturally, we experience loss, like everything else in that context.

Our bodies react (or don’t) as do our minds, creating physical sensations and emotional responses. Or not. These physical and emotional responses, or lack of them, are totally unpredictable, unexpected, and most definitely unclassifiable by anyone outside of oneself (myself)

Anyway, there are no rules. Even the grief and loss experts will tell you this. Mind you, I can and will only speak for myself, and my experience. Basically that experience has taught me that I have an intuitive resistance to ever thinking in terms of there being a ‘roadmap’ for grief.

Or a statistically valid ‘pattern’ or ‘process’, or that there are even such things as ‘stages of grief’.

My grief for my Lofi is unique, just as everyone’s is. I’m pretty sure I don’t even want to define it, label it, ‘try to get closure’, ‘come to terms with my loss’. No. None of that. It’s like I’ve said someplace else, or at some other times:

Sometimes we make way too many words for something for which there are no words.

Thank you for allowing me to share these words with you. I pray that they are not ‘too many’

peace and love