God is My All: A Reaching Out, a Rap on time, & a (sort of) unrelated poem

Namaste and Welcome to you.

I can’t remember when I wrote my last post. And of course it isn’t relevant at all is it? I mean to say that in the contemplative life, time sometimes seems to take on some other kind of character.

Or at least I should say that one’s perception of the passage of time shifts; nothing unusal there I hear you say, and of course you’re right. Just thinking out loud I suppose.

For me, having a right perception of time is an important aspect of my Sadhana, my practice: yes, it’s true: time is seen to fly, or it is frustratingly felt to drag. But my aspiration is to see time as simply a human construction that we use to limit, structure, bind, define, and place all kinds of restrictions on our lives.

Which for me, simply means that there is only presence or Presence; only the ongoing continous moment (what we often call The Now). Easier said than done mind!

Swami Ramdas (known as Papa to his followers)

In any case, here I am, just where God would have me be. Feeling strongly to reach out to you, I remember the poem (it’s not really about time in the sense we’re discussing it so far) that emerged the other day after reading a quote from Swami Ramdas that seemed to be an answer to some thoughts I’d been having.

I’m grateul for this, all of this. And for you too, the reader of these musings offered with humility and thanks.

Peace and love from me to you.

GOD IS MY ALL

Thinking thoughts
as if battered by demons.
Memories arising of my own evil deeds, selfish and cruel.
Right away I turn to God:
God is my all;
Hare Krishna

Forego repentance,
relinquish regrets;
you are filled with God,
the supreme essence of life.
God is my all;
Hare Krishna.

Through Papa Ramdas
I hear the Universe speak:
Forgiveness is from God;
and it has been granted.
God is my all;
Hare Krishna.

Broken Hill, Australia
9 July 2022

ANSWERING THE CALL LEADS TO MORE QUESTIONS

Greetings and Welcome after what feels like a gap of forever since my last post.

Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.

And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.

Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.

And now I’m sharing it with you as a way of explaining why the gap, why the block.

Peace and love from me to you.



The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?

Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.

Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.

Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
                                             

A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.

Lord Buddha graces the hermitage front garden

The Desert Called, and I Answered

Eventually.

Greetings friends. I welcome you from my new hermitage in desert country.

You know, it’s an old idea, a cliché even, to say that we, all of us, are on a pilgrimage called life, a Hero’s Journey as it’s called by the Mythologists. And, on any such journey there is what those same scholars call a Call to Adventure.

They are the times when we are challenged by life to commit to an action that will stretch us somehow, take us out of our comfort zone, change our life; to make a move; take a risk; embark on a journey either internally or out in the physical world.

So, when I tell you I got a call to come out here to the desert, and that I answered it, why the necessity to add ‘eventually’? What happened to delay that journey? Well, that’s what our Mythologist friends call The Refusal of the Call.

They’re the times when, once we’ve heard the call, and when we’ve felt its rightness, we still say no. Not now. And we come up with all kinds of perfectly reasonable explanations for our refusal.

In my case, I said, hey, it’s fine here; I’m near the beach; I really have no reason to move; there are plenty of ‘other places’ to check out first. The excuses went on and on.

All along though, there was this place, this country, calling. Of course ‘the desert’ isn’t always or for everybody the literal sand covered land, that gets very hot, and is generally thought of as barren and even hostile. It can also be a metaphor for any place – or no place in particular – that is a place of retreat, a quiet place, a place for living apart from the mainstream of human life.

For some people inclined to a life of contemplation and solitude, this place might be a small hut in a forest or a wood, or a camp on a remote beach on an even more remote island. Then there are others who are called to an actual cave high in the mountains, or on the banks of some sacred river somewhere.

And, equally, the desert, the place of retreat, quiet, solitude, and living apart, may well be an apartment or house in a suburb, or even in the centre, of a big city.

Then there’s me: called to this desert town of Broken Hill, almost but not quite in the centre of the continent of Australia. It is deep in the arid zone: it’s very far out back here in the Outback, 1500 kilometres inland from the east coast to be precise.

Yes, well this is all well and good, but shouldn’t I be answering my own question: why eventually? Well, we’ve covered the excuses, but really isn’t that just plain old procrastination? Yes indeed. If we get back to our Mythologist friends once more, we learn there is a stage in this Hero’s Journey that follows on from the Refusal: The Supernatural Act.

These are the times when things happen that seem to come at us out of the blue, from no rational, logical, or explainable source. Something that we might find hard to beleive at first because it’s way out there; supernatural like it says.

But that supernatural bit doesn’t have to take a spooky form, it might be that the ‘supernatural act’ is an internal insight or realisation triggered by a perfectly natural occurance. That’s what happened for me. What was this non-spooky, natural event that prompted such internal insights and realisations in me and got me moving?

Rain. Yes, rain. It rained almost every day for over six months. I am very very blessed that I wasn’t affected by flooding as so many in nearby area were, and I am thankful for that. But it’s safe to say that rain, mud, no sun, and limited or no access to the outside for days or weeks at a time, soured my romance with the coastal lifestyle.

You could say that through the sound of rain on the roof, I could still hear the call of the desert. In fact it got so loud that, eventually, I could no longer ignore it.

So, eventually, I answered the call, and here I am. Here is a small miner’s cottage and my new hermitage, my new safe haven by the side of the road. The cottage is situated in a mining town that sprung up in the 1880s. So this cottage has been home to miners and their families for generations, including the current owners.

In a sense it’s quite likely that I am the first occupant who hasn’t been or isn’t a miner. Though you might say that my excavations, rather than being in the dark underworld beneath the surface of Mother Earth, are taking place in the equally dark, hidden interior places of Self. A mining of another sort you might say.

Before flying out here, I was thinking about what was actually calling me to the desert (putting aside the rain for a moment). After all, I lived in a small cabin in a park like setting literally five minutes walk to a pristine Pacific Coast beach; I had trees and forest like spaces all round, as well as a small river two minutes walk. And that’s not even thinking about the abundance of wildlife.

And it occured to me that it is the stillness of the desert that was calling to me. This town of Broken Hill is a mid size town (actually a small city with about 15000 people), with the usual shops, cars, people, and the rest.

Yet there is a stillness. No longer can I hear the constant sound of seawaves crashing. No longer can I sense the never stopping coming in and going out of sea tides. And out here, it seems like even the people are moving quite a bit slower too. I’ve yet to see a single person rushing about. And they seem to smile a lot as well.

The street I live on is extremely quiet, and even on the so-called ‘busy streets’ there isn’t the mad acceleration and braking we’d see everywhere on the coast. Of course there is the odd driver who thinks every car is a racecar, but where don’t you get that?

But, actually it’s more than this. There is, beyond the actual literal quietness, a silence that seems to exist as an entity or state of being in its own right.

A stillness that is a solid thing, just as on the coast there was (is I suppose) a constant frenetic atmosphere that seemed to overlay everything. People rushing – on foot or in cars – even when there seems to be no reason for hurry (though of course you can never tell can you?). And not so many smiles either.

Contemplative people, those seeking solitude, and peace and quiet in which to pray, to live slowily, and to explore the divine, have been drawn or called to deserts (in all its forms) for thousands of years or longer. And I am fortunate enough to have finally (eventually) heeded the call myself.

Here, away from the incessant acceleration and braking (I do like this expresion), and in that stillness that envelops this land, perhaps I can dig a little deeper, uncover a bit of quiet, and discover a piece of solitude.

Out here, in the Outback, life can be harsh for all living beings, often dangerous in its aridity and isolation. It’s a long way from major cities, food and supply chains are extended to extreme limits, and the human hold on the land is precarious at best.

Yet, the paradox exists: out here far from the fertile coasts, the soft sandy beaches, the major urban centres where the mainstream of (human) life goes on, there is a quiet, a peace, a stillness that seems to pervade the very air one breathes.

A wise person wrote something short and sweet that sums all this up for me:

There is a stillness in the wildness.

Let Me Tell You About a Visitor I had This Morning

Greeting and Welcome to you

Quite a long time ago now I half wrote a book. I mean to say, I wrote half the thing before giving up. The book was going to be called When a Pet Dies, and was about, well exactly what the title suggests. All the practical stuff that you’d expect, as well as ways to deal with the grief over the loss of a companion animal .

I thought at the time that the reason it was only half written is that, once I got through that practical stuff and was ready to tackle the grief and loss parts, some kind of lethargy set in, or I got lazy. Or perhaps, I was thinking also, the muse for that particular project had simply left and was gone. So it remains half written.

So, why am I musing over this half done, half forgotten project from long ago? Well, let me tell you about a visit I had this morning.

I was sitting, focusing on chanting my mantra. Suddenly I felt an absolutely overwhelming sense of loss and sadness. I don’t recall thinking of anything in particular beforehand, but the sense was overpowering. Flooded with grief is what they call it I think.

Lofi (on the right) with his sister Shanti

And then, just as powerfully, I sensed the presence of Lofi, my cat who died in my arms over ten years ago. Immense feeling of presence is what I wrote in my notebook. Now, I’m not saying he was literally there with me. I’m also not saying he wasn’t. All I can say is that it was among the most intense of similar experiences I’ve had over the years. Anyway, that’s most likely what got me thinking about my incomplete book.

Later this morning I was sitting with my partner on a benchseat overlooking the sea, the bit of the Pacific coast I’ll be leaving behind next week.

Actually, now I’ve mentioned that, you might remember from my last post how keen I am to get out there to the desert. That excitement and anticipation doesn’t mean for a second that I’m not feeling quite sad about leaving the coast.

Anyway, we were just sitting there and chatting on and off, when suddenly a thought seemed to push its way to the surface. I all of a sudden knew why I stopped where I did when writing that book. I realized in a strong and convincing way that you can’t build a structure to define what grief is or how or if it should be experienced, by whom and when.

I’m not talking about the ‘truism’ that one hears all the time that says that the ‘stages of grief’ are in a set order, until they’re not. Actually come to think about it, I’m not even sure this is true. I mean, I’m not sure it (grief) is a thing to be labelled, quantified, recorded, predicted, analysed.

I mean, who’s to ever say how any other individual, or even oneself, will feel about anything at all? Sure, there might be a ‘typical’ set of responses to any given circumstance, such as a loss, but even the proponents of such theories will tell you that none of us is typical.

Which kind of leads me back to my feeling of oneness with my Lofi earlier in the day. Obviously I’m not alone in having such feelings. How often has any one of us heard other people say, after they’ve lost a loved one:e, ‘S/he was really here. It was so real’.

Such experiences can occur anytime, even decades after the loved one has left. I’ve mentioned somewhere else that I’m reading (in little chunks) a great book by Joseph Campbell, the renowned scholar of myth. Let me share with you a quote from the section I’ve been reading today where he’s talking about how art in India seeks to portray the divine in all things:

This is the wonderful song that one hears when one reads the Bhagavad Gītā or any of the great texts of Eastern philosophy. This is the song of that immortal spirit that never was born and never die.

Of course this isn’t meant to be a consolation to myself or anyone else. After all, we are physical beings, living in a material, solid and apparently ‘real’ world. So, naturally, we experience loss, like everything else in that context.

Our bodies react (or don’t) as do our minds, creating physical sensations and emotional responses. Or not. These physical and emotional responses, or lack of them, are totally unpredictable, unexpected, and most definitely unclassifiable by anyone outside of oneself (myself)

Anyway, there are no rules. Even the grief and loss experts will tell you this. Mind you, I can and will only speak for myself, and my experience. Basically that experience has taught me that I have an intuitive resistance to ever thinking in terms of there being a ‘roadmap’ for grief.

Or a statistically valid ‘pattern’ or ‘process’, or that there are even such things as ‘stages of grief’.

My grief for my Lofi is unique, just as everyone’s is. I’m pretty sure I don’t even want to define it, label it, ‘try to get closure’, ‘come to terms with my loss’. No. None of that. It’s like I’ve said someplace else, or at some other times:

Sometimes we make way too many words for something for which there are no words.

Thank you for allowing me to share these words with you. I pray that they are not ‘too many’

peace and love

Am I Here & Now or There & Then?

One week today and I will be there. In other words, this time next week at this time I will have arrived in the desert city of Broken Hill. Almost in the heart of the continent and right in the middle of the Outback. In fact they call that whole area The Big Red after the colour of its tens of thousands of square kilometres of desert sands.

Back to Country

It’s about 1500 kilometres from the Pacific Coast where I am right now. I’d like to write about the ‘call’ to the desert, which I am finally answering, but maybe I’ll get to that in another post.

Right now I only want to say how excited I am to be going. A bit anxious too (I’ve been there before, but still …), and plain and simple looking forward to getting there.

Acturally, to be perfectly clear about it: I can’t wait to be there. But, you see, herein lies the problem: I am so keen to get there that I’m feeling as if I am no longer here. I am not present; I am not living in the moment and in the place I’m in (which I love by the way, the place I mean).

I don’t mean to say that I am some sort of Buddha who is usually fully present in each moment; or who is serene and calm when he knows change is coming. Any reader of this blog will tell you that presence isn’t necessarily my greatest strength.



But, I must say that lately I have improved (slightly) my living in the moment, being here and now, way of living. It’s just that I’ve been longing for this particular change (and all that I anticipate will come with it) so much that I just can’t help myself.

Did I mention already that this is a problem for me? Well, yes, I did, and it is. I prefer very much to be where I am and when I am and fully in the flow of the ongoing present.

Of course there is nothing wrong with wanting something to happen. The problem arises when one is so anxious for whatever it is to happen, that what’s happening here and now ceases to be where one is at—in other words: the trouble is that I stop being in the present.

Buddha taught what are called The Four Noble Truths. (which pretty much form the core of Buddhist teachings) The second of these Truths says that attachment is the cause of suffering. Suffering here means anxiety, worry, regret, fear; all those kinds of things. Whenever we say something like, ‘I can’t wait to…’, then it is a sure sign we are attached to that want or desire.

If I’m in it, will I win it?

By the way, the First Noble Truth is: Life is suffering. Suffering, The Buddha taught, is simply the price of being alive. We get hungry, we are conscious of pain (in all its guises), we grieve; we grow old; we get sick; and we die.

But, right now, I want to talk more about Noble Truths three and four. Number three says that suffering can be overcome. Nice clean, clear, and not to mention, succinct little statement. Of course, it’s easy for him to say isn’t it? He is Buddha after all.

Perfectly reasonable reaction from us suffering humans. But there is hope and we will find that in Noble Truth number four which gives us the how to overcome suffering. There are quite a few ways to put this Truth into words, but the one I like best says:

The way to overcome suffering is to sit.

What? Sit? Yes, sit. Be still; stop moving. Of course if we relate this Truth to my little dilemma for wanting to so badly to be somewhere else that I’m not able to be where I am now, we can expand this Truth to something like this:

Focus your full attention on what you are doing now, and where you are now as well. As much as you can, be open to change, but be less attached to the nature or timing of that change. After all, you can make all the plans you like, but who knows what’s really going to happen—you won’t know that till it actually happens.

So, that’s what I am trying to do. Instead of saying stuff like ‘I wish I could go sooner’, or ‘it’s only x days till I go’ (yes I know, that’s what I said way up there at the top of the post), I am going to ask myself, ‘What am I doing now?’, and I plan to look around me, and engage more with the reality of this moment. And try hard to realise the ongoingness of that everlasting moment.

As Ram Dass said,

Be Here Now.

Hey, that’s a great mantra isn’t it? Chanting it whenever I start getting out of the here and now mode, might just put me back there again. I mean here—and now. You know what I mean!

Love and blessings from me to you

Paul

Quiet and Free (A Haiku of Sorts)

Much speech leads to exhaustion;
guard your inner being.
And keep it free.
A bit of blue sky coming.

When a Day Off Isn’t a Day Off

Namaste and welcome

You know by now that I study the Bhagavad Gita. I’ve been at it a few years now, and it gives me a great deal of joy and comfort, not to mention the help it is to me as I struggle to understand Self and life, the Universe and everything (to borrow a well-worn phrase).

Yes, I love this book which is the story of a warrior king and his charioteer getting ready for battle. Arjuna, the warrior, is us. Or rather he is our ego, our lower self, the us that lives as a material entity in the material world.

The charioteer is actually Krishna, and he represents our Higher Self, the Self that is what some people call God, or the Divine, spirit, universal consciousness. In other words, my Higher self is having a conversation with my lower self as I battle or struggle with living in the material world.

Anyway, it’s enough to say that I am very fond of this book, the lessons it holds, the guidance I sometimes glean from it. And I try to spend time with it as often as I can. Daily mostly, but not always. I have to admit that sometimes I just want to give it a break, leave the words alone, just be with Self for a bit.

Actually, there is a verse that I wrote down long ago that does in fact sanction the student (that’s me) to take a break.

Forgoing all religious injunctions, take exclusive refuge in me. I shall deliver you from all sinful reactions. Do not fear

Bhagavad Gita Ch 18:66

This is Krishna speaking, giving instructions to Arjuna. Essentially it’s the higher Self telling our little selves to ignore outside rules, regulations and all that, and rely instead on what comes from within the Self; in other words, what our hearts tell us.

Now, he’s not saying ignore laws of the world, that’s not what this story is about. He’s telling Arjuna, look, don’t take notice so much of what the religious leaders tell you, or what instructions you read in holy books.

Then, after more or less consistent study over years, I came across yet another verse quite recently that confirms this one, but that hadn’t ever spoken to me before:

When your mind is fixed and unmoved and not confused by scriptural injunctions you shall attain yogic samadhi

Bhagavad Gita Ch 2:53

This verse actually says: don’t confuse yourself with stuff you read in the scriptures; instead keep your mind fixed and unmoved by the outside world. And if you do that, you will achieve that level of peace, self-realisation, and happiness, that you’re after.

So, do we have here a book of scripture that is in fact telling me not to take any notice of what it says in that book? That doesn’t sound very likely does it? No, I think what both these verses are getting at is this: The first and primary thing to do if you want to achieve happiness, peace, self-realisation, is focus inwards, on the Self.

Or God, or spirit, the Universe. We all call it by different names. But the point being made is that we aren’t going to find all the answers only in a book, or in the instructions from ‘religious’ leaders; overdoing the books or the slavish following of teachers only causes us (sorry I mean me) confusion.

Higher Self here (in the guise of Krishna, who is in the guise of a charioteer) is advising us to look to our Selves, not to the words of others to reach union with that Self. At least, that’s how I’ve chosen to interpret it.

What’s interesting here is that these are two of the very few verses for which I haven’t looked at commentaries or interpretations by other people. What I’ve done in other words, is take the advice given in these verses and looked inwards.

I don’t mean to suggest that I use these verses as ‘have a day off’ cards; most likely the contrary is true. On days when I don’t look at the Bhagavad Gita, I like to think I spend more time ‘just sitting’, perhaps chanting mantra, and contemplating.

Of course it doesn’t always work out like that naturally. But, at least on those occasions there is the heart and mind space available for a more direct communication or connection with Self. With that part of me that is one with all.

Peace and love

Allow Me to Introduce My Mask

Greetings friends

At the moment I’m reading a book (Myths of Light: Eastern Metaphors of the Eternal) by Joseph Campbell, the brilliant, more than brilliant scholar, writer, teacher, and philosopher of all things having to do with myth.

Actually, to be honest, it’s truly riveting reading, but still, it’s a hard book to get my head around, but I’m taking it in little chunks, and the effort is, you can believe me, well worth it.

Campbell makes so many fascinating observations and his insights are genius. One section that gave me much to think about was where he talked about Carl Jung‘s idea of masks:

… he [Jung] points out that each one of us is invited by his [sic] society to play a certain role, a certain social function …
… We all have to put on a mask of some sort in order to function in the society. And even those who choose not to function in the society, to revolt from the society, put on masks too. They wear certain insignia that indicate, “I am in revolt.”

Yes, I know, it’s an idea we’re all pretty much familiar with: we all put on masks: work masks, school masks, relationship masks, masks to impress, masks to hide behind, all kinds of masks. But here’s what got me thinking: If you saw my last post, you’ll remember just near the end I said something like, ‘I am a hermit and a pilgrim’.

Now, normally, I tend to think I don’t wear masks. But, surely such a statement declares that I have simply put on one more mask? And, given the usual perceptions of hermits and even pilgrims, am I telling anyone who will listen (especially myself) that ‘I am in revolt’?

And that got me thinking more, about that ‘especially myself’ thing. I don’t think there’s anything wrong with wearing masks; after all as our quote says we wear them in order to function, to have a role or roles in our society.

But we also wear masks for ourselves, so we can give ourselves an identity, a role, a function. So a mask, you might say, is just how we get on in the world, and in our own minds; we take them off, and put them on according to the situation and needs of the moment.

Which says of course that we all are, I am, many things at different times and stages of our lives, our days, our careers, and so on. At this stage of my life I have put on the hermit/pilgrim mask I’ve carried around on the inside all my life. I am asking myself again, does this make me a rebel?

Well, before I donned the hermit/pilgrim mask properly, yes I wore the mask of the rebel, of the angry and outraged advocate of complete and total social change. And perhaps from some people’s point of view, I might still be a rebel: rebelling against the expectations, demands, and easy temptations of my society.

Anyway, I seem to have taken the very long route to the main point of my thoughts on all this rebel insignia stuff. The reality is, I’m not rebelling against anything. Except for those times (all too frequent) when I let anger and outrage slip through. After all, I am still human and have my weaknesses. ‘Tipping points’ as a wise person has called those moments when ‘it all gets too much’.

I see my role, the role of the mask I wear, as a creative one, one of building up, not tearing down.  This particular mask is still in the development stages, but isn’t that how everything works

There’s an aphorism I like very much:

It is better to light a candle than curse the darkness.

(back in March I wrote a post describing a real-life event that illustrates this wonderful expression, both literally and metaphorically. If you missed it, do check it out).

Now, as of this moment in my life and in my progress on whatever path I’m on, I can truly say that I spend time – a lot of time – cursing the darkness. I mean, how could I not? That probably makes me still a bit of a rebel.

Yet, at the same time, I think I’m learning to understand the pointlessness of only cursing the darkness. Maybe it’s not a case of all one way or the other. Okay, I’m human, so I curse the darkness? There is a great deal of darkness to curse isn’t there?

Perhaps I can allow that cursing to lead me to action? And, well it has. At least that’s what I’m working on, aspiring to. Living as simply, quietly, and in as much solitude, as I am able; buying fewer things; letting compassion inform my eating, clothing, and travel choices (actually all my choices); having as little to do with what I call ‘the mainstream’ as possible; acting as far as I’m able in accordance with my true nature.  All these measures are aspects of the hermit/pilgrim role.

But I’ve missed the greatest, most important and vital aspect that goes with the responsibility of wearing the hermit/pilgrim mask: Prayer. Quiet prayer and contemplation. Sometimes just sitting (I know, it’s a favourite thing to do for me), letting the quiet come. Letting the light come.

You know, in some post, somewhere on this blog I’ve mentioned that often repeated statement:

It’s too late for thoughts and prayers

Well, more and more I am getting to grips with the notion that, far from being too late, this is precisely the exact moment when thoughts and prayers are needed most.

I hope that my little efforts can at least contribute in some small measure to the efforts of all the other people out there in the world who, while they may not be hermits or pilgrims, and while their natures might lead them to any number of differing activities in the world, nonetheless share with me the aspiration to light a few candles.

I Live On a Big Round Ball

Namaste friends

Recently I came across some notes I’d made about a book I read ages ago, at least a year I think. Anyway, the name of the book: The Art of Mindful Walking. Sorry, but no prizes for guessing what it’s about.

Reading my notes I see that I had been particularly taken with what the author had to say about ‘our place in the Universe’. He reflects on our – humanity’s that is – perception of our size in the big scheme of things.

The author recounts how we once went for a walk with American astronaut Dave Scott, who’d been to the moon on one of the Apollo missions. Scott described to him what it felt like looking back at Earth from the surface of the moon:

It hangs in the black sky like a glass bauble, a blue and white Christmas decoration. It’s a small, fragile world.

Ford then goes on to reflect that this image, of a small, fragile ball floating in space, has ‘become a part of the modern psyche’. Then he says:

We begin to see how vulnerable we actually are. We are the first generation truly to see this. We are also the generation that is coming closest to polluting and destroying it.

I don’t think I’d quite looked at it in this way before. And I admit, it stunned me a bit.

Just think: Of all the humans who have ever lived, those alive in the last 50 or 60 years have been the first to see our home planet in its entirety. At least we’ve had the good fortune of seeing images of Earth just as those astronauts saw it. Thanks to those images made from space, we now have had a glimpse of where we actually live and the nature of our world.

Yet, at precisely this point in our history as a species, when we have that particular knowledge, this is the time we seem to be almost wilfully destroying the very ground we walk upon, the air that keeps us living, and the water without which there is no life.

I’m not a warrior. I am a hermit and a pilgrim and I try hard to not make judgements. As such, I can only look on in wonder.

And I can pray.

Thanks to Jimmy Buffett for the title. It’s a line from one of his greatest songs, called Defying Gravity. Thanks Jimmy for all the music man.

Is Life Too Short for Perfect Writing?

Greetings and welcome friends

Let me share a little secret with you: I have and always have had, atrocious handwriting. And it’s always been a major frustration (but a huge incentive to learn to type, which is one of the best things I’ve ever done).

Perhaps it’s because I had some sort of learning difficulty, maybe it happened because every state in Australia has a different way of teaching kids handwriting, or maybe its just that I was and am lazy. Actually, scratch this last one: I am not nor have I ever been lazy.

Anyway, it appears to be a fact of life, yet I do still get frustrated from time to time. But then there are times when I decide not to care, that it isn’t important, doesn’t matter. Being in one of those indifferent phases right now, has reminded me of an incident that should have taught me this lesson once and for all.

A while back I was gifted a small painting. The artist wasn’t satisfied with it as a background of a planned piece, and gave it to me thinking I might like to ‘do something with it’. I happened to think it quite a lovely painting in its own right actually, and as I was looking at it, I thought of a leaf I had collected a couple of weeks previously. A beautiful very soft and pliable purple leaf from a lovely shrub.

So, right away I just got to sticking that leaf onto the painting. As I pressed it down, a little tear appeared in the leaf. Immediately a lyric from Leonard Cohen‘s Anthem came into mind:

There is a crack, a crack in everything. Thats how the light gets in.

So, I began writing bits of the lyric onto the painting. Untidy, irregular and typically atrocious the hand writing, or printing, is. But then it struck me: that’s the point! I mean the point of Mr C’s sublime words:

Ring the bells that still can ring
Forget your perfect offering.
There is a crack, a crack in everything
Thats how the light gets in.

Here’s how I thought about what I’d written on the painting and how I’d written it: I rang a bell that I can still ring: I thought of and wrote down those beautiful lyrics to compliment the accident (is there any such thing as accident?) of tearing a leaf on a painting that ‘didn’t work’ for the artist, but that was working for me.

Therefore, the painting, the torn leaf and my handwriting was not a perfect offering in any kind of conventional sense as the world would view it. In other words there is a crack, both literal as in the tear in the leaf, and metaphorical as in the imperfections of the whole piece.

But—and here is the vital thing—this little painting, despite its initial rejection by the artist, and with its imperfections, its sloppiness, and its flaws, has provided a channel for light to get in. Into my life, into the piece itself, and now, through this sharing, into your life.

So, who cares if my handwriting is not conventionally perfect or is untidy, uneven, and even a bit tricky to read? I love the message in those lyrics; I felt that this lovely painting with its torn leaf to be the way to put that message in a concrete form. I mean, really, isn’t life too short for perfect (hand)writing?

PS I no longer collect leaves and trap them in this way. I may collect them, but after a time, I return them to their natural environment. Fallen leaves have their function in the cycles of nature too.