Category Archives: self realisation

A Journey to the Centre of the World (sort of)

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Namaste and greetings

Yesterday I came across a couple of stories – true ones – that I wrote years ago. They are what we might loosely call ‘travellers’ tales. I thought it might be nice to share them here. So here’s the first one. Enjoy

Not the Manu temple I write about, but another one close by

I’d walked up to Old Manali, and I’d kept walking through the town. Then higher still, past the temple to Manu, and the scattering of traditional houses and small fields clustered around the temple.

Three near-naked and stoned saddhus invited me into their cave – more a kind of overhanging rock shelf poking out from the foundations of the temple itself.

Naturally I declined. Politely. I wasn’t, never had been, and never shall be a stoner. Besides, here I was deep in the Himalayas walking through ancient villages and past temples to ancient gods. Seems to me that that’s enough to bring on a high all its own and like no other.

Then, a little higher up the trail. I rounded a corner to be greeted by a kind of open forest glade; a grassed and flowered field protected by a semi circle of forest sentinels, their crowns maybe thirty metres above my head.

And there, in the middle of this magic field, a large flat rocky area, like a series of ‘shelves’ layered one on the other. This maybe twenty square metre tiered platform was probably the remnants of an ancient hill (or mountain?) that got in the way of a more recent but clearly relentless glacier.

Whatever the history, here was an arena with views no theatre or movie could ever hope to reproduce. This natural amphitheatre faced several layers of peaks across the valley. But, before those peaks, and directly in front of me, just down the slope, stood the temple, then more trees, reaching down into the valley. Here the river flowed, surrounded by farmers’ fields and the brown dots of houses.

Then the forests begin again, thick at the bottom in the valley, but becoming more scattered on the higher ground. Then those many layers of higher and higher hills, mountains really, rolling off into the distance to, where on the horizon and behind it all, a row of the really high peaks covered in their permanent snows.

‘This is a special place, a sacred place,’ I heard myself sigh out loud. Sitting cross-legged now, I let my eyes wander over the scene taking in the blue sky, the white peaks, the multiple greens of the forests, the sliver ribbon of the river, and the rest.

At such times and in such places, one’s eyes tend to close of their own accord. And so it was for me then and there. I let myself drift. Thoughts came and went, to be replaced by more thoughts that came and went.

Then, my eyes opened. Again of their own accord. After a few seconds of that cliched ‘where am I?’ feeling one has when startled out of one state and into another, I made out the figure of a person standing facing me a few metres from where I sat.

‘I’m sorry,’ I heard her voice call to me. ‘You just looked so peaceful sitting there meditating, I just had to stop and watch you.’

She told me she’s been watching me for about fifteen minutes, which gave me a start: It’d felt l Ike I’d only just sat down and closed my eyes.

‘They say the light of the world is held about twelve kilometres up this trail. That means it’s the centre of the world.’

I had to stand to try to take in a revelation of this magnitude.

‘And apparently,’ she went on, ‘they’re going to move it soon and nobody knows where.’

Was she an angel? Was I dreaming? They, whoever they were, are about to shift the centre of the world? Even in India one doesn’t hear this kind of news everyday. Actually, I doubt you’d ever hear it on any day.

Then she was gone, headed up the trail. I didn’t follow. I remember thinking: twelve kilometres was too far for me especially as I already had a long walk downhill to my hotel back down in the new town.

Yes, mundane, practical musings, a typical response to news of such a wild and far-out nature. So, not exactly in shock, yet not quite myself, I turned back. Down. Through the village, past the temple with three crashed out saddhus out front, back into the town.

There are cafes there. They sell Chai there. I needed one.

Actually, given the momentous news I was going to have to digest, I might even have a couple extras.

This is a true story; it actually happened more or less the way it’s described here.

Of course, there is no ‘light of the world’ stored in some secret spot, somewhere on Earth.

Well, I suppose if there is a light of the world, then it’s likely to be the world itself, I mean Earth, all the beings who live on this planet. Life itself I guess you could say. Life is light; Life is love.

Peace

The Beginning of Devotion: A Poem

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The Paradox of the Hermit Life (Courtesy of @travellinghermit3)

THE BEGINNING OF DEVOTION

Attention, paying attention.
It’s the beginning of devotion.
And when you see? When there is seeing?
Well, seeing is praise.

When we see, what we see,
is God.
Not the god, or this or that god.
There aren’t lots of gods,
or so it seems.
And in the end, there isn’t even one god:
there is only God.
So it was said by the sages.

How an Old Blue Tin Trunk Helped Me Give Up Journalling

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Journalling always seemed to go along with tea drinking

About a year or so ago I stopped keeping a journal. And, when I say stopped keeping, I mean keep as in both senses of the word. Let me explain.

I began writing my life in a journal in my teens. I stopped for a while in my late teens and early twenties, then later in my twenties, took to it again. I then kept my Journal going ever since. That is, until last year.

Of course, some periods saw a more intense, even daily journal keeping. And then there were periods where the journal only saw me every now and again. On the whole though, I’d been completely dedicated to my Journal for more than 40 years.

What over 40 years of journalling looks like

So, why suddenly end it? What prompted me to just stop keeping it – again in both senses of the word – after almost a lifetime committed to it?

Yes. A good, good question. First of all, it wasn’t a sudden decision; I didn’t ‘just stop’. For some time I hadn’t been feeling quite so committed, quite as excited about keeping a journal (as in using it to write my feelings, ideas, and essentially my life). And, just as with so many of the decisions we make thoughout our lives, this one had a practical, even a pragmatic ‘seed’ as well:

See the picture above? That’s my journal. The rest of the Old blue tin trunk would get itself filled with all kinds of stuff not needed on rhe road. The trunk lived with my cousin for a few years, then it was my sister’s turn; she had it on and off for many years.

As you are no doubt beginning to guess, this arrangement began to wear thin. We (the hermit pilgrims) were constantly asking ourselves, what’s the point of storing this stuff for years? Do we really need it?

My answer had always been yes. I needed my journal. I might read it again someday; I might need it to write books or whatever. So, we’d keep the trunk, filling the remaining space with stuff and things.

Then, on the penultimate occasion we had the old blue tin trunk shipped to us in our latest (then) current roadside cave, I looked at it, and thought: What’s the point?

Somehow the attachment – the compulsion to hold onto my Journal – had gone. It was a liberation, a freeing of my mind. I suddenly realised that the prospect of me ever rereading the thing, or needing it for some other purpose, was remote. Actually such a prospect was also extremely unappealing.

I should add here that that particular aversion and disinterest in rereading my journal, seemed to cement my already growing disinterest in keeping a journal in that sense I mentioned earlier of writing down feelings, ideas and so on. Now, both the idea of keeping the journal in the sense of storing the physical volumes for a rainy day, and that need to keep a journal by constantly writing my life, collided. Time to stop keeping!

So, I sat and leafed through every volume, more as a kind of farewell ritual than anything else. I did ‘rescue’ the odd bit and piece, most of which have since gone the way of their host volumes. Then I simply set the lot on its way to oblivion.

I mentioned that this whole chain of events happened on our penultimate reunification with the old blue trunk; what about the ultimate time? Well, we’d kept it full of various pieces of art by both of us; with various household things; ornaments; and other stuff I can’t remember.

Repacking it to ship back to my sister’s as we got ready to move on from that particular cave, we both just said, let’s leave it all behind.To cut a long story short, that’s exactly what we did. My son, a couple of charity shops, and the house we’d been sheltering in, were all recipients of the last of the contents of that old blue trunk – and the blue trunk itself.

Now, do I miss my journal? Well yes and no.

No I don’t miss having the thing as in owning it. Or maybe it’s better to say I don’t miss always having it in storage and out of reach the great majority of time. Like I said, I went completely off the idea of holding onto it – keeping it – just in case someday I might want to read it all again or use to for research. Now I think, why would I ever want to do that? (okay, I think I might have already said that)

The yes is kind of qualified. Yes, I miss writing in it. Yes I miss having a vehicle for expressing feelings, thoughts, and ideas.

I say that this yes is qualified because while I say this to myself from time to time, I don’t actually seem to ever really feel it. So perhaps it’s less a yes and no than it is an unequivocal no.

Besides if I have the urge to write, to put pen to paper, fingers to keyboard, then there’s nothing to stop me.

After all, that’s precisely what I’m doing now isn’t it?

My take on Dharma, Karma, & Living a Good Life Part 1

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Most likely I’m not alone when I say that when first listening to new information, a lecture, teachings or anything else for that matter, I will often forget either part of what I’m trying to learn or even all of it. In fact, I’m sure there are more than a few scholarly research papers that will tell us all about this universal phenomena with all facts and figures along with all the whys and wherefores.

Anyway, I was listening to my teacher ( Swami Tadatmananda) recently. He summarized the teachings he was giving on that occasion in three succinct, pithy lines. Thinking back now, I have no memory of the teachings being presented, and all I have is a quick note jotted down of the teacher’s summary:

Do your duty
Follow Dharma
Live a righteous life.

Fast forward a couple of days and I was watching a video about 19th Century English poets. Once again I’m not able to tell you the names of all those poets or what the show was about (actually to be honest, I got bored and stopped watching half way).

And, again, all that remains is a scribbled note about the pioneering of a particular rhyming scheme by one of the featured poets.

That revolutionary rhyming scheme is ABBA (where the first line of a verse rhymes with the fourth, and the middle two rhyme with each other). It’s as well that I did jot down a note: I have never been able to take in, much less retain in memory, all the technical stuff to do with poetics. Never.

But for some reason this particular idea appealed to me. Maybe it’s to do with how I was once a big fan of the Swedish pop group Abba? (okay, maybe I still am)

As it happens, my note on this appears in my notebook just below the first one I mentioned above. So, as I thought about ABBA (the rhyming scheme, not the pop group), I saw that first note and started playing with it:

Do your duty
Follow Dharma
Earn good Karma
Do nothing naughty

Okay, I know, it’s not exactly great literature is it? Never mind; it’s only an experiment. But, having said that, I do quite like this little, what shall we call it? This little ditty. It seems to be a nice, even quirky, little rephrasing of my teacher’s own summary.

This is all very well and good you might think, but what does it all mean? Does it actually mean anything? Well, my short answer is yes: for me it does indeed definitely mean something.

Actually, it means a lot. But as this post seems to be dragging on a bit, perhaps we will have to continue in another post.

Meanwhile, be blessed

When Trees Speak

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Watercolour by Pauline (with digital enhancement by the Hermit)

Vibing on the mystic trees,
their upside is downside, their downside is upside
selves telling me:
You’ve got to cut through the attachments.
Then, not a new, but old made new again, insight
confirms, clarifies, brings details to,
shines a light on the specifics:
Stop desiring what you already have.

By the River’s Light

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By the River’s Light
I’ll Live My Life
out of sight of Babylon

A Note From Me: I can’t tell you who wrote these words. Maybe I did; maybe it’s a song lyric; or maybe it’s a quote from someone famous. Whatever the case, a half hour internet search failed to come up with anything even close. So, The best I can do is thank whoever did bring these beautiful words into the world. I hope you are pleased with how I’ve made use of them.

A Seaside Musing

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Yellow-Golden sands
carpet the floors
of tidal rockpools,
home to crustations and seagrasses.
And the coffee tasted like medicine.

Suffer the Little Children

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Suffer the Little Children

A sculpture of a young child, on a busy street corner in the heart of downtown Sydney. I like many thousands of others, have passed it by many times only giving passing thought to the origins, meaning, or significance of the statue itself.

Until a couple of days ago that is.

As a subject for contemplation and for a photograph, it is a powerful image: striking in its presence. Once one actually stops to look and reflect that is.

After several minutes of standing with the statue and asking myself who is it? What does it mean? (there is no plaque or sign to steer the way), I made this photo and I moved on.

Only later, at home, did I notice the little plant growing through the pavement in the corner. And zooming in on the plant I saw the little moth sitting on a leaf.

I decided to research online, see if I could learn more about this site. The sculpture is called Youngster and was created by artist Caroline Rothwell. It seeks to highlight the plight of refugees, in particular children.

There isn’t much online, but you can read a media article which gives some more insight into the sculpture here.

That article focuses mainly on the sudden appearance of a plaque at the site. Presumebly placed by a citizen with strong feelings on the subject, the plaque wasn’t ‘official’, so was later removed.

Actually, the text on this plaque pretty much sums up my own strongly held and often expressed feelings. Though, these days as a contemplative monk and hermit, I try hard to not have opinions, or make judgements on the way in which things in the material world play out.

But, obviously I am still human, and this is only one of so many issues that cause me distress, sadness, even rage. Actually, rage is a big one. But then, how could anyone of goodwill not be outraged? It is the very reason I am struggling hard to get this post down, to somehow make it all clear.

You see, at the same time as being so affected on the human heart level, I am very aware at the same time that it is the conditioning of material nature that leads to the very obvious fact that life is suffering.

Eating, sleeping, mating, and defending. Every single activity of every living being is motivated by one or more of these activities or a desire for their fullfillment. They are the basic drives that rule all life.

So what to do? As I’ve said (probably many times) I am not a warrior – I used to be but not now. However I am just like every other life form motivated by conditioning, either from my experiences in this life, or by that conditioning inherent in all material nature.

To a great extent I have retreated from the world. Not in order to escape or so I can ignore the suffering. I haven’t abandoned the world.

In fact the exact opposite is true: I have withdrawn, become a hermit monk, precisely so that I might be able to dedicate every ounce of my energy, my heart, my love, to prayer; to creating and maintaining a quiet and contemplative silence.

My prayer is not of the asking or begging kind, beseeching some invisible ‘god’ to give me something. Instead, I attempt to be still (never ever easy); to free and open my mind so that I may be more receptive to the Divine, to the will of the Universe; and to  become more mindful in every activity and moment.

In this way I am aspiring to realize fully my oneness with all life.  All life. I want to become fully awake to the fact that everything is Self. That there is nothing else.

And of course Self includes this child and all she symbolizes; it includes that little green plant growing through the pavement in the corner; and it includes the little moth perched on one of its leaves.

As well, my prayer, my aspiration for full self realization and union includes all those who are warriors, those whose activism and engagement with the material or physical world is every day alleviating and attempting to alleviate suffering and its causes in whatever form it takes on this planet we all share.

I am extremely flawed: I’d like to tell you I am always full of love and light, but there is much of darkness in me still to be rid of. So, all I’ve shared with you till now are still only aspirations and I have far to go. Nobody can say if I will ever reach that full realisation. In the meantime I intend to keep doing what I can to participate in the work of change.

Peace and love

When Misreading is no Mistake

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We’ve all  had this experience I think. I’ll be reading something, and right away I’ll come to a conclusion, become either sure of something or the complete opposite; I can be confused, force myself to ask more questions. I can even have brilliant insights or realizations.

No? Well, maybe it’s really just me then. But, wait there’s more: this is a two part experience. When that second part happens we will come to realise that what we think we read is nothing at all like what the words on the paper (or screen) actually said in a factual sense.

Yes, you’ve probably guessed by now that there’s a story coming. In fact this exact thing happened to me this morning, all the way to the brilliant insight or realisation bit.

In fact it was a brilliant realisation, the only problem was that it was based on only on what I thought I read, not what was actually being said.

Anyway, I was reading the verse quoted below, from my Bhagavad Gita and a sudden flash of insight hit me.

Despite these five lines saying a particular thing in a clear and precise manner, I somehow misread the first three lines to say:

All beings ensue from Me.

Bhagavad Gita Ch 7:12

Somehow my mind skipped the ‘states of’ bit and made a leap that actually lead to a great realisation: Of course, I thought; God is not in us (as in living beings), it’s we who are in God.

Which to me means that we are all part and parcel of God. I’m not saying, I’m God; I’m not saying you are either. What I am saying is that all creation as one, unified whole, is in God. And if that one unified whole does indeed ensue from God, then it follows that all of creation is God.

As individualized, embodied entities, we (along with all life everywhere) are simply manifestations in the material form of that divine energy, that life, that truth; that which we often call God.

Now, this is an instance of a flash of insight leading to a truth, when the receiver of the insight (that’s me) is engaged with what you might call some other factual reality, that is, the actual words on the page.

At first I thought, that’s weird: how did I misread all those words related to states of being? I mean they are pretty clear right? But then I thought, no, maybe not so weird. In fact, it makes sense.

How can my material mind and intellect possibly be expected to always keep its millions of thoughts, ideas, impulses and the rest, in perfect order each thought or whatever following completely logically from the one before and to the one after? It’s never going to happen is it? Not for any of us (Well maybe I’m overstating my case here, but you know what I mean).

And if mind does indeed operate on what seems on the face of it to be a random basis, then it’s perfectly reasonable to suppose that one might be prompted to some momentous insight by, well by anything really. Even if it’s a conclusion jumped to after the misreading of a text.

In this case though, that jumping to conclusions, even though based a misreading, has turned out to be a genuine realisation that I feel on an intuitive level; my instincts tell me it’s Truth.

Jai Gurudev
All that I am today is by your grace.

Let the Music Play

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When thinking about a name for this photo I was really tempted to somehow reference the song American Pie by Don McLean. The phrase from the lyrics ‘the day the music died’, kept coming to mind – even as I made the photo of the scene.

By the way, ‘the day the music died’ refers to the plane crash in 1959 in which the up and coming Buddy Holly, and the more well known Ritchie Valens and The Big Bopper were killed.

And there was that brilliant MASH scene coming to mind. In the scene there is concert pianist who has lost the use of his right hand in battle. One of the doctors attempts to encourage him to not allow the music to die, to find other ways than actually playing piano to share the music.

Both connections seemed obvious: a very old dead piano decaying, returning to old forms of itself. But then it struck me: it was the instrument that had died and was changing forms. All material things change, die, becoming something else.

The music on the other hand, hasn’t died. It not only survived that plane crash and the transition of those three singers, it has thrived. Their music lives on. Music can’t die. Why?

Because music is life. Vibrations, harmony, and sound itself, are the foundations, the roots of ‘life the universe and everything’ (to borrow an old expression). As such, music is not a tangible, physical thing and it needs an instrument to make it manifest in the world; music merely passes through the instrument and emerges into being.

I liked that MASH episode. The doctor (stuffy Major Winchester) says to his patient, the wounded pianist, that as a skilled surgeon he has hands that ‘can make a scalpel sing’. But really, what he’s wanted all his life to is to experience music the way the pianist has.

He says he can play the notes, but he doesn’t have the gift that would allow the music (as in Chopin, Brahms and the rest) to flow through him. He tells his patient, who is depressed and unwilling or unable to consider that the music may not have died:

The gift does not live in your hands. The true gift is in your head, and in your heart, and in your soul.

Major Charles Winchester

Hearing that line again reminded me of Om. There are a number of religious traditions that consider OM (sometimes spelt as AUM) to be the primordial sound, the very source of creation. The word itself, when written is considered sacred.

Then there is the verse from the Christian Bible that makes the exact same assertion:

In the beginning was the word and the word was with God and the word was God.

John 1:1-3

Well, music needs an instrument – whether in the form of a voice, body, mind, or in an object made of wood, strings, brass, or something else – in order to manifest into the material world and to be experienced by us.

Just think: the piano in my photo in the front garden of a house in a mining town has most likely allowed many generations to experience music. Accompanied them in celebrations and greivings; helped so many through good times and bad times; witnessed people laugh, cry, and even dance;

Of course, Major Winchester’s gifts as a surgeon are that he is a instrument for the vibration, the music of the universe, to make itself manifest in another way.

And what he is essentially saying to our wounded pianist is: ‘Look you can shut it off forever (his words) or you can continue making your gifts – your Self – available as an instrument that allows that music to come into the world for everyone to share’.

Well dear friends, I have pledged to carry on using my gifts and be available in just that way that allows the music to come through me in whatever form and shape it takes.

By gifts I mean those things that have been granted to every living being: the ability to create harmony; the ability to make and spread good vibrations; and the capacity to appreciate and celebrate beauty.

And when you think of it there is no way to put a limit on the number of ways that the music that is Life might be channelled through each and every one of us

A good place to pick up some good vibes, get into harmony with yourself and appreciate beauty all at the same time

In my own ways I try to make harmony in and around myself as much as I’m able. I am always attempting to cultivate behaviours and attitudes that help to create and spread good vibes. And I constantly seek to appreciate beauty, even when the world seems to be only ugliness.

Of course, as I say I am only the instrument. The music -the beauty, good vibes, and harmony – exist with or without me. But music in whatever shape and form it takes needs an instrument if it is to come into our material world and be there for all of us to share.

So, this is my prayer: that at least every once in a while, every now and then, I can actually be that instrument .

PS Just a little postscript. When passing that particular garden (the piano garden I call it now) I was drawn to this:

Eagle-eyed Garden Guardian

Just as I photographed this lovely creature, I heard my partner’s voice:

‘Did you see the piano?’

Now being in what you’ve heard me call the Zen Zone I was fully focused on and absorbed in, our winged friend. Coming back from wherever I’d been, I did in fact notice the piano.

You see, you just never never know where the music is going to come from. I might not have seen the piano with my own eagle eye but lucky for me music had a ready and willing instrument standing by to remind me of which way to look.