By the River’s Light
I’ll Live My Life
out of sight of Babylon
A Note From Me: I can’t tell you who wrote these words. Maybe I did; maybe it’s a song lyric; or maybe it’s a quote from someone famous. Whatever the case, a half hour internet search failed to come up with anything even close. So, The best I can do is thank whoever did bring these beautiful words into the world. I hope you are pleased with how I’ve made use of them.
My eyes follow the line her pen inscribes
across the page, its whiteness coming alive.
In such moments, I know that it is true :
I know that God is truly in the ink.
Yellow-Golden sands
carpet the floors
of tidal rockpools,
home to crustations and seagrasses.
And the coffee tasted like medicine.
What a piece of magic this is!
No, it’s not a quote from Shakespeare. Mind you, now I think about it, there’s a line in Hamlet, where the man himself is monologuing about the human condition and declaims a strong-felt sentiment:
What a piece of work is man! [sic]
The reality is that first quote is from someone far more mundane than the bard: me. The occasion on which I uttered this equally impassioned statement was as I sat holding my smartphone and listening to the music flowing from it through bluetooth fairy land and into the headphones I was wearing.
The truth is I was at that moment just awestruck and a bit overwhelmed with what I was hearing, and just as significantly, with how I was hearing a particular song.
Not being a materialist by any measure, my phone and headphones are nowhere the latest or top of the line models, but still, to me, what I was hearing was magnificent. It’s the only word that fits really.
Anyway, that isn’t exactly what I want to write about today. Reflecting on the experience described above, got me thinking about the actual song I was listening to. And that’s what I want to write about now.
The song in question is written and sung by Australian singer-songwriter Cyndi Boste (died 2018) and is called Cry Down on Me. Here are the lines that have struck me particularly:
I’m not afraid of your tears.
Cry down on me
I’ll make sure nobody hears
Cry down on me.
Before we go on, a short note. Until I started research for this post I had my own idea of what ‘Cry down on me’ means. Seems I got it wrong. However, for this post I am choosing to believe that the songwriter agrees with me. If you look up the meaning and then listen carefully to the lyrics, you’ll see that perhaps I didn’t get it wrong after all.
Essentially here we have the singer/protagonist reassuring another person (friend? lover? sibling? We don’t really find out, but if I had to guess, I’d say they are lovers) that they are safe to share their tears, their sadness, anger, fears and so on. Most of us at some time or another (or always?) have been afraid to express or share our emotions, to show our tears.
So, why is our protagonist going to make sure nobody hears the other’s tears? Well, she is obviously aware that the other is at the very least embarrassed, perhaps afraid of being ridiculed, rejected, or perhaps they’re worried about appearing ‘weak’ or making themselves seem vulnerable.
And how did she come to that awareness? I think she has seen this other with the eyes of her heart, seen their need. And now she’s telling them: ‘Look don’t worry, I am listening to you with my heart and I can hear you.’
We are exposed to so much ‘noise’ from everywhere all the time. Even the tears of a loved one can be lost in the overall din that sometimes threatens to smother us all.
And of course we’re not just talking about literal tears here, and the sound the shedding of them makes: anything said, written or otherwise made known that is of substance, or real importance and meaning, is threatened with annihilation by all the trivia, gossip, advertising, round the clock news, and what I often call the general blah blah, that passes for life in the modern materialistic world.
Of course to protect ourselves from all that noise, it’s no surprise that we so often only listen with our physical ears, see with our physical eyes. Actually having said that, I know from my own experience that even that level of engagement and attention can be a struggle sometimes. And doesn’t that struggle sometimes lead us to closing down altogether?
I guess the answer lies in what Buddha call The Middle Way or Path: The bottom line is that we can choose what we listen to (or look at) and what we don’t. No need to switch off and isolate ourselves completely from the ‘outside’. Nor is it necessary to leave ourselves wide open to all that noise.
Like our protagonist in the song, we can listen with the ears of our hearts; we can see with the eyes of our hearts. It is in our hearts that love lies, where Truth lives. We can say to that other that we are listening and seeing with our hearts, while at the same time reassuring them that nobody, including us, is going to simply be hearing or seeing you only with physical ears and eyes.
The last time I listened to the song (yesterday: it’s become a big favourite) I had the thought that maybe our protagonist is reminding her Self that she’s listening. Sometimes our ‘real’ self can feel like a stranger, as if that Self is someone unknown, and living as a separate entity outside of us can’t it?
It’s at that heart level where we can truly listen, truly see, the other. And whether that other is one’s Self or another person, the truth is there really is no difference: your heart is truth, the other’s heart is truth, and it’s the same Truth.
Namaste friends
Welcome again to my blog. It’s always a good feeling when I sit at the keyboard to begin a new post to you.
And for this post,I have some news: this hermit is back on the road again. But, I hear you asking: aren’t you as a pilgrim always on the road, on the move? Yes all true; a pilgrimage like mine (life) is never-ending, permanent. Just a state of being you could say.
So, after a few months in the desert hermitage, we felt lead to move to Sydney, to another cave; another safe haven by the side of road.
This move has felt right and gone smoothly from the first thought, the initial feeling, to the actual trip here, right down to the comfort and contentment we feel in this new hermitage (in reality a small apartment beneath a house with a lovely garden, in a quiet street).
My second piece of news is that I have made another blog, one just for my pictures. Of course my posts here are always illustrated with my photos, but after deleting all my social media accounts (another bit of news I suppose) I felt the need for an alternate place to share my art. It’s on a different platform and it would be terrific if you could follow me there.
The blog is called Pictures from the Heart of a Pilgrim, and you are invited to visit, to follow, to comment. to connect. Just click on the link here.
There are only a handful of pictures on that site so far, but I’m working on expanding it, so please make sure you visit more than once. Better still, subscribe so you can be notified whenever I post.
I think that’s it. Maybe I will post about deleting social media accounts. But, somehow I don’t think I will: they’ve gone and I’m happy about that. I’m not alone I know in making that decision.
So, till next post, thank you for your support.
Love and Peace
Paul
When thinking about a name for this photo I was really tempted to somehow reference the song American Pie by Don McLean. The phrase from the lyrics ‘the day the music died’, kept coming to mind – even as I made the photo of the scene.
By the way, ‘the day the music died’ refers to the plane crash in 1959 in which the up and coming Buddy Holly, and the more well known Ritchie Valens and The Big Bopper were killed.
And there was that brilliant MASH scene coming to mind. In the scene there is concert pianist who has lost the use of his right hand in battle. One of the doctors attempts to encourage him to not allow the music to die, to find other ways than actually playing piano to share the music.
Both connections seemed obvious: a very old dead piano decaying, returning to old forms of itself. But then it struck me: it was the instrument that had died and was changing forms. All material things change, die, becoming something else.
The music on the other hand, hasn’t died. It not only survived that plane crash and the transition of those three singers, it has thrived. Their music lives on. Music can’t die. Why?
Because music is life. Vibrations, harmony, and sound itself, are the foundations, the roots of ‘life the universe and everything’ (to borrow an old expression). As such, music is not a tangible, physical thing and it needs an instrument to make it manifest in the world; music merely passes through the instrument and emerges into being.
I liked that MASH episode. The doctor (stuffy Major Winchester) says to his patient, the wounded pianist, that as a skilled surgeon he has hands that ‘can make a scalpel sing’. But really, what he’s wanted all his life to is to experience music the way the pianist has.
He says he can play the notes, but he doesn’t have the gift that would allow the music (as in Chopin, Brahms and the rest) to flow through him. He tells his patient, who is depressed and unwilling or unable to consider that the music may not have died:
The gift does not live in your hands. The true gift is in your head, and in your heart, and in your soul.
Major Charles Winchester
Hearing that line again reminded me of Om. There are a number of religious traditions that consider OM (sometimes spelt as AUM) to be the primordial sound, the very source of creation. The word itself, when written is considered sacred.
Then there is the verse from the Christian Bible that makes the exact same assertion:
In the beginning was the word and the word was with God and the word was God.
John 1:1-3
Well, music needs an instrument – whether in the form of a voice, body, mind, or in an object made of wood, strings, brass, or something else – in order to manifest into the material world and to be experienced by us.
Just think: the piano in my photo in the front garden of a house in a mining town has most likely allowed many generations to experience music. Accompanied them in celebrations and greivings; helped so many through good times and bad times; witnessed people laugh, cry, and even dance;
Of course, Major Winchester’s gifts as a surgeon are that he is a instrument for the vibration, the music of the universe, to make itself manifest in another way.
And what he is essentially saying to our wounded pianist is: ‘Look you can shut it off forever (his words) or you can continue making your gifts – your Self – available as an instrument that allows that music to come into the world for everyone to share’.
Well dear friends, I have pledged to carry on using my gifts and be available in just that way that allows the music to come through me in whatever form and shape it takes.
By gifts I mean those things that have been granted to every living being: the ability to create harmony; the ability to make and spread good vibrations; and the capacity to appreciate and celebrate beauty.
And when you think of it there is no way to put a limit on the number of ways that the music that is Life might be channelled through each and every one of us
In my own ways I try to make harmony in and around myself as much as I’m able. I am always attempting to cultivate behaviours and attitudes that help to create and spread good vibes. And I constantly seek to appreciate beauty, even when the world seems to be only ugliness.
Of course, as I say I am only the instrument. The music -the beauty, good vibes, and harmony – exist with or without me. But music in whatever shape and form it takes needs an instrument if it is to come into our material world and be there for all of us to share.
So, this is my prayer: that at least every once in a while, every now and then, I can actually be that instrument .
PS Just a little postscript. When passing that particular garden (the piano garden I call it now) I was drawn to this:
Just as I photographed this lovely creature, I heard my partner’s voice:
‘Did you see the piano?’
Now being in what you’ve heard me call the Zen Zone I was fully focused on and absorbed in, our winged friend. Coming back from wherever I’d been, I did in fact notice the piano.
You see, you just never never know where the music is going to come from. I might not have seen the piano with my own eagle eye but lucky for me music had a ready and willing instrument standing by to remind me of which way to look.
Yesterday found me (for a couple of hours anyway) out on the suburban streets close to the hermitage. Camera in hand and trying to cultivate an attitude of Contemplation. Working for the moment my heart, my head, and my mind all came together to help my camera make a photograph.
Well, in terms of contemplative photography, the outing was a bit of a struggle: getting into the Zen Zone isn’t always easy. And come to think of it, it’s not always part of the plan is it?
I don’t mean the little plans and intentions the ego comes up with about how things are going to turn out. I’m talking here about The Plan: what the Divine has in the works for us.
Anyway back to my walk. I kept walking, sometimes making photos. As I said, it wasn’t easy getting in the zone. Suddenly my eyes were drawn to a particular house. As I looked through the viewfinder I noticed a butterfly on the wall. On the window actually.
Not a living, flying, being as you can see. More of a kind of garden ornament attached to the front of the house. It struck me as I continued looking, that I’d already seen – and photographed – several ‘butterflies’ so far in that walk.
Four actually. In the space of an hour, and within a couple of streets of home. I’d seen them on walls, windows, and on doors.
Through time and in many places around the world, various cultures have looked at butterflies as symbols of transformation, for change, and renewal.
And, it seems to me, that butterflies can appear to us almost lighter than air. They kind of float on the air currents. They’re also known for their darting way of flying in what might seem to us one random direction then another.
So, butterflies have also been seen as symbolic of the human mind with its tendency to dart all over the place from one thought to another. They are said to remind us that we can in fact control and direct the mind.
In that case then, were these repeated encounters with butterflies – albeit of the ornamental variety – some sort of message for me? Perhaps I was to slow down, stop taking myself so seriously and to make changes? And of course remembering that I’m perfectly able to deal with consequences of any changes I make.
Well, here’s the funny thing. Literally not until I sat down to draft this blog did it occur to me that I have in the last couple of days made what for me seem monumental changes. Or to be more exact, I have put into motion changes that are yet to reveal what if any transformations they might lead to.
You see, over the last few days I have been systematically deleting all my social media accounts (with the exception of a messenger app to speak to my son). I’ve had most of these accounts for up to 15 years or more. So, while I’m absolutely certain that this act of detachment from some of the things in the world that don’t sit well with my nature, I’m still feeling a bit lost, a little empty.
Okay, the butterflies: what have they to do with any of this? Transformation? Change? Lightness? And the ability to float through changes in life? Yes all of these. And we all know very well that butterflies undergo some pretty tough transformations as they evolve into what they are to become.
Something I read once said that if you see a butterfly you should look at what you’re thinking; ask yourself what’s next for me? What changes are in store? Although all those butterflies of yesterday were ornaments on walls and so on, I have actually at other times been privileged to photograph living and flying ones.
In fact just the day before yesterday I met a small white butterfly flitting from one white flower to flower. In the space of a very short time, this beautiful creature gifted me with a very small moment’s stillness, and it gave me a photograph. Here i share that one with you.
Early Christians associated the butterfly with the soul. So, yes, you could say that my meeting with that particular butterfly was a meeting of souls.
But what of the garden ornament, inanimate butterflies met yesterday?
Well, everything’s got soul don’t you think?
Peace and love
Namaste and Welcome to you.
I can’t remember when I wrote my last post. And of course it isn’t relevant at all is it? I mean to say that in the contemplative life, time sometimes seems to take on some other kind of character.
Or at least I should say that one’s perception of the passage of time shifts; nothing unusal there I hear you say, and of course you’re right. Just thinking out loud I suppose.
For me, having a right perception of time is an important aspect of my Sadhana, my practice: yes, it’s true: time is seen to fly, or it is frustratingly felt to drag. But my aspiration is to see time as simply a human construction that we use to limit, structure, bind, define, and place all kinds of restrictions on our lives.
Which for me, simply means that there is only presence or Presence; only the ongoing continous moment (what we often call The Now). Easier said than done mind!
In any case, here I am, just where God would have me be. Feeling strongly to reach out to you, I remember the poem (it’s not really about time in the sense we’re discussing it so far) that emerged the other day after reading a quote from Swami Ramdas that seemed to be an answer to some thoughts I’d been having.
I’m grateul for this, all of this. And for you too, the reader of these musings offered with humility and thanks.
Peace and love from me to you.
Thinking thoughts
as if battered by demons.
Memories arising of my own evil deeds, selfish and cruel.
Right away I turn to God:
God is my all;
Hare Krishna
Forego repentance,
relinquish regrets;
you are filled with God,
the supreme essence of life.
God is my all;
Hare Krishna.
Through Papa Ramdas
I hear the Universe speak:
Forgiveness is from God;
and it has been granted.
God is my all;
Hare Krishna.
Broken Hill, Australia
9 July 2022
Welcome to another musing from the hermits’ cave. It’s been a while hasn’t it?
Mind you, I’ve been busy: settling into the new hermitage here in the desert. Actually, it’s been cloudy since we arrived, and raining sometimes. It’s as if the Subtropics have followed us here, except that it’s been freezing.
And I’ve been busy colouring in as well. Not as in filling in a picture book designed for colouring, but in making my own patterns and shapes with the one aspiration of making colour happen.
Japanese calligraphy masters will tell you that God is in the ink, or in my case in the pigment of the colour pencils I use. I draw designs, sometimes complex, sometimes simple, then fill the spaces with colour. Sometimes just one or two, sometimes multiple colours.
Why? Well, the simple answer is because I like doing it. I like to see colour covering the page, seeing it slowly fill that empty space. I’m not good at ‘drawing’ and painting in the traditional sense, but one thing I can do is make colour. So I do.
And it’s a sacred act: God is in the ink remember? It’s the making of beauty. And that is a holy act. There’s that aphorism isn’t there? It’s better to light a candle than curse the darkness?
Or, I could say that it’s better to make colour and patterns than it is to be swamped by the darkness.
There’s a Bhagavad Gita verse I like that I came across again the other day:
If one’s thoughts are fully absorbed in the Absolute all his [sic] spiritual offerings also become a part of that same Absolute
Bhagavad Gita 4:24
In other words, all our actions – and we never cease from activity while we dwell in a material body – are not only prayers or offerings to that Absolute (or you can say to God, to beauty, to art, to love, to the universe, to life. Or you don’t have to name it at all. None of the names and forms are relevant) but in fact become that Absolute.
I am a hermit pilgrim, living a contemplative life devoted to the Absolute we just talked about. I have little to offer, but I offer all that I am. And with my photographs, and with my ‘colouring in’, I try to create a little bit of the sacred, a lit bit of colour and beauty to keep us all away from the darkness.
Peace and love
Greetings and Welcome after what feels like a gap of forever since my last post.
Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.
And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.
Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.
And now I’m sharing it with you as a way of explaining why the gap, why the block.
Peace and love from me to you.
The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?
Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.
Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.
Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.
Notes from the Hermit's Cave 