Silence, Solitude: Where can I find it?

Remain in your cell, and your cell will teach you everything

This piece of advice from one of the early Christian desert hermits to a follower has been going round in my head for ages. And I mean a couple of years at least. I’d read it in several books at the time, and I’ve seen it in a few since.

Of course, most of the writers of those books interpreted this advice at face value, literally advising the student, hermit, monk, or other contemplative person to stay in their physical cell (hut, cave monastery cell, suburban bedroom, wherever is their permanent dwelling) and listen, meditate, study, and contemplate. The advice is, stay in that space in silence and seclusion. Quite possibly forever.

‘But it could be the cell of your Self,’ my partner hermit said to me one time. And yes, I thought, that’s exactly right. I liked the symbolism. The actual literal, physical space and its geographical location isn’t necessarily the important factor. What’s important is that you, the real you is actually fully present wherever you are, right here, right now.

Think about what it really means to be present – to be here now: It means that you can say, ‘This is the only space and the only moment that exists. Right here and right now.’

Living life is an ever-flowing movement or process, and at the same time (excuse the unintended pun) is always occuring in the present. And in that ongoing moment you – your Self -is always there.

Of course along for the ride is your little s self with its ego, chattering and never quiet mind reminding you of the distractions, stresses, anxieties, worries about things to do or not do, memories of the past, and fears for the future. It goes on and on.

But, still, that space within where you can meditate, pray, contemplate quietly, that’s your Self, your ‘cell’.

I’ve always liked and worn hoodies. I guess a lot of people do. For some it’s about fashion; others wear them for warmth in cold weather or to keep the sun off when it’s hot; some people even use them to hide.

Then there are others such as nuns, monks, priests and others too, for whom a hood is a part of the robe they wear as a member of their particular group.

In those cases, a hood is called a cowl and most often it’s a largish loose hood sewn onto the robe or habit. Just like a regular hoodie.

I read somewhere (I forget where) that some groups nickname these cowls ‘cells’. In other words, the wearer carries their cell with them wherever they go.

Of course they don’t always actually wear the hood on their heads, but whenever they wish or need to retreat to their cells, all they have to do is simply pull their hood up and over their head and all of a sudden they are in their own private and solitary world; they are in their cell.

As I said earlier, I like the symbolism. But more than that: I find wearing a hood on my head or simply in standby mode, comforting.

I’m not overly good with crowds, or in close proximity to other people on a bus or train or whatever. I like knowing that just by pulling my hood on, I’m able to create my own space apart from my surroundings. In that space I can feel safe and kind of apart.

Even at home I wear a hood when I’m meditating or praying. It’s just one more opportunity to retreat into my cell, into Self

Peace from the Hermit to you

A Journey to the Centre of the World (sort of)

Namaste and greetings

Yesterday I came across a couple of stories – true ones – that I wrote years ago. They are what we might loosely call ‘travellers’ tales. I thought it might be nice to share them here. So here’s the first one. Enjoy

Not the Manu temple I write about, but another one close by

I’d walked up to Old Manali, and I’d kept walking through the town. Then higher still, past the temple to Manu, and the scattering of traditional houses and small fields clustered around the temple.

Three near-naked and stoned saddhus invited me into their cave – more a kind of overhanging rock shelf poking out from the foundations of the temple itself.

Naturally I declined. Politely. I wasn’t, never had been, and never shall be a stoner. Besides, here I was deep in the Himalayas walking through ancient villages and past temples to ancient gods. Seems to me that that’s enough to bring on a high all its own and like no other.

Then, a little higher up the trail. I rounded a corner to be greeted by a kind of open forest glade; a grassed and flowered field protected by a semi circle of forest sentinels, their crowns maybe thirty metres above my head.

And there, in the middle of this magic field, a large flat rocky area, like a series of ‘shelves’ layered one on the other. This maybe twenty square metre tiered platform was probably the remnants of an ancient hill (or mountain?) that got in the way of a more recent but clearly relentless glacier.

Whatever the history, here was an arena with views no theatre or movie could ever hope to reproduce. This natural amphitheatre faced several layers of peaks across the valley. But, before those peaks, and directly in front of me, just down the slope, stood the temple, then more trees, reaching down into the valley. Here the river flowed, surrounded by farmers’ fields and the brown dots of houses.

Then the forests begin again, thick at the bottom in the valley, but becoming more scattered on the higher ground. Then those many layers of higher and higher hills, mountains really, rolling off into the distance to, where on the horizon and behind it all, a row of the really high peaks covered in their permanent snows.

‘This is a special place, a sacred place,’ I heard myself sigh out loud. Sitting cross-legged now, I let my eyes wander over the scene taking in the blue sky, the white peaks, the multiple greens of the forests, the sliver ribbon of the river, and the rest.

At such times and in such places, one’s eyes tend to close of their own accord. And so it was for me then and there. I let myself drift. Thoughts came and went, to be replaced by more thoughts that came and went.

Then, my eyes opened. Again of their own accord. After a few seconds of that cliched ‘where am I?’ feeling one has when startled out of one state and into another, I made out the figure of a person standing facing me a few metres from where I sat.

‘I’m sorry,’ I heard her voice call to me. ‘You just looked so peaceful sitting there meditating, I just had to stop and watch you.’

She told me she’s been watching me for about fifteen minutes, which gave me a start: It’d felt l Ike I’d only just sat down and closed my eyes.

‘They say the light of the world is held about twelve kilometres up this trail. That means it’s the centre of the world.’

I had to stand to try to take in a revelation of this magnitude.

‘And apparently,’ she went on, ‘they’re going to move it soon and nobody knows where.’

Was she an angel? Was I dreaming? They, whoever they were, are about to shift the centre of the world? Even in India one doesn’t hear this kind of news everyday. Actually, I doubt you’d ever hear it on any day.

Then she was gone, headed up the trail. I didn’t follow. I remember thinking: twelve kilometres was too far for me especially as I already had a long walk downhill to my hotel back down in the new town.

Yes, mundane, practical musings, a typical response to news of such a wild and far-out nature. So, not exactly in shock, yet not quite myself, I turned back. Down. Through the village, past the temple with three crashed out saddhus out front, back into the town.

There are cafes there. They sell Chai there. I needed one.

Actually, given the momentous news I was going to have to digest, I might even have a couple extras.

This is a true story; it actually happened more or less the way it’s described here.

Of course, there is no ‘light of the world’ stored in some secret spot, somewhere on Earth.

Well, I suppose if there is a light of the world, then it’s likely to be the world itself, I mean Earth, all the beings who live on this planet. Life itself I guess you could say. Life is light; Life is love.

Peace

Dharamshala Dharma Dreaming

In the Forest of the Windhorses

DHARAMSALA DHARMA DREAMING


The hand of the monk 
agéd, insistent, but gentle too, 
takes and holds mine. 
The monk sits, the Dharma before him, 
sacred texts resting in their saffron shroud. 
My presence completes 
this circle. 

Mountain monastery 
calling him; it’s not home. 
Other mountains 
he’s climbed. Escape. 
High places divide 
this world from that, 
that time from this. 

His loving touch, his smile, 
linger in rarefied air. 
Air drenched with the warmth 
of the Dharma, 
in this late monsoon 
restaurant of the Snow Lion, 
south of his land.

The Mountain Monastery Calls

Homage to Holiness: A picture & A Poem

Iridescent Rosary

HOMAGE TO HOLINESS

Threads harvested from threadbare clothing.
Pea-sized bits of bread, sliced from meagre rations,
Secretly hoarded for sacred purpose.

Mala makers work at night
in the dark of the stinking and freezing stone cell.
Chewed bits of bread become dough again,

and, by feel, frozen fingers knead the dough
Until tiny beads of bread emerge.
A tiny twig, again by feel, pierces each bead through.

Then in solemn prayerful silence and focus,
the nun passes her harvested thread through the first bead.
She ties a knot, no easy task with freezing fingers in the frozen dark.


And so it goes; all sacred duties take their own time.
One by one; one bead of bread threaded; one knot knotted.
The nun nears collapse. But now, at last, her task is done.

As the last knot is knotted, the last bead in its place,
The nun sighs and mutters, whispers, a prayer of thanks.
One hundred and eight beads plus one.
She has made her Mala.
Om Mani Padme Hum

God is in the Ink

My eyes follow the line her pen inscribes
across the page, its whiteness coming alive.
In such moments, I know that it is true :
I know that God is truly in the ink.

Homage to Holiness: A Story to Share with You

This morning as I do most mornings (trying to make it every morning) I sat for my practice starting with some prayers and reading a a few random verses from Bhagavad Gita.

Then I settled to spend some time in devotional chanting of mantra. For a change this morning, while chanting I listened to a lovely album of devotees chanting the Hare Krishna mantra:

Hare Krishna Hare Krishna
Krishna Krishna Hare Hare.
Hare Rama Hare Rama,
Rama Rama Hare Hare.

I reached for my mala (prayer beads or rosary) and as I mentally repeated these holy names in accompaniment to the recording, I held a bead between my fingers for each repetition, focusing on the chant.

Now, chanting is much like any other human activity: that is to say, the mind is always there. Usually it manages to bring up all kinds of irrelevant fears, memories, questions, you name it. Today, however, one of those supposedly random memories actually caught my attention in a good way and took me along.

As I continued handling my prayer beads I thought about a story I read in India nearly 15 years ago now. The story concerned prayer beads as it happens. Buddhist nuns, imprisoned in Tibet, were forced  to resort to making their own rosaries in secret after their meagre belongings had been seized.

Almost ten years later, after another extended stay in India, I finally was able to write about this story. In this instance it came into being as a poem I called Homage to Holiness. May I share it with you here?

Homage to Holiness

Threads harvested from threadbare clothing.
Pea-sized bits of bread, sliced from meagre rations,
secretly hoarded for sacred purpose.

Mala makers work at night
in the dark of the stinking and freezing stone cell.
Chewed bits of bread become dough again,

and, by feel, frozen fingers knead the dough
until tiny beads are created.
An even tinier twig, again by feel, pierces each bead through.

Then in solemn prayerful silence and focus,
the nun passes her harvested thread through the first bead.
She ties a knot, no easy task with freezing fingers in the frozen dark.

And so it goes; all sacred duties take their own time.
One by one; one bead of bread threaded; one knot knotted.
The nun nears collapse. But now, at last, her task is done.

As the last knot is knotted, the last bead in its place,
the nun sighs and mutters, whispers, a prayer of thanks.
One hundred and eight beads – plus one – made, and strung
Her Mala
Om Mani Padme Hum

Probably the most sacred and significant of all Buddhist Mantra, Om Mani Padme Hum, means something like ‘the jewel is in the lotus’. But many would say it goes a lot further than the mere literal translation of the words; It is said to be the actual path to Enlightenment. There is a huge amount of information on the Internet about this mantra, so if you’re interested a good place to start is at this link.

Whatever the actual literal meaning, interpretation, or who chants it,  I think we can all agree that the intent of this mantra is to have us focus on the divine, or on the Ultimate or Absolute reality. The same as any mantra one might choose actually. Remember last post? God is.

in any case, I think somewhere above I’ve used the word random. Well I should know better by now: no such thing as random. One of the Bhagavad Gita verses I read – in fact the final one I left marked with my bookmark – seems to me fit very nicely with that ‘random’ memory of a story read years ago, and my humble retelling of the story in a poem many years later

One who knows the Absolute and whose intelligence is fixed on the Absolute is not moved by pleasure or pain, pleasant or unpleasant happenings.

Bhagavad Gita 5:20

Did that nun imprisoned as she was in the dark and the cold feel that pain? Did she feel fear? Of course she did. The thing is, she was, as constantly as her circumstances allowed, fixed on the Absolute: the activity of making the mala, the intended use of the mala, and her prayerful attention and devotion as she worked, all enabling a complete fixing of mind, heart, and attention onto the Absolute.

The cold was still there; the hunger and fear too. But this nun was able to remain centred, you might even say calm and content, despite the dire situation.

Actually content was a word I read in relation to this nun and her sisters (she wasn’t alone in that prison cell): From what I read they were released after some time, and eventually escaped to India where they rejoined friends, family, and of course their leader the Dalai Lama

At the time the story was being recorded for posterity, the Mala Maker reported that she was happy and content and leading a full and fulfilling life. I imagine her as still being fixed on the Absolute.

Thank you for allowing me to share these moments with you
Love and peace

Lighting Candles, Learning Lessons

Not many people know this, but I’m a big fan of clichés. Not always, only when they serve a purpose, make a point, illustrate an idea, or have some other relevance or meaning. I remember an occasion when I witnessed a perfect illustration of a favourite cliché.

Once, many years ago I was sitting in a café in the Himalayas on a late monsoon afternoon when the clouds hung low and the lights were on so people could see. Suddenly, the lights went out.

A collective groan from the full café: people writing in journals, reading books and so on (no smartphones or laptops in those days), had to stop what they were doing. Although not an uncommon occurrence in those parts, lights going off was a bit of a pain for us spoiled tourists.

Anyway, one of the waiters fetched some candles, and began lighting one on each table. I think there were perhaps ten tables. I watched him as he moved slowly around the packed, but tiny café. As he lit the candle on the very last table, the electricity came back on.

Again the collective sighed, this time in relief, as light flooded the café. I heard one voice say something to the effect of: ‘he shouldnt have bothered, I mean the lights came on eventually’ .

‘Well, you know, if he hadn’t made the effort to make some light for us, maybe the power wouldn’t have come back so quickly’, I commented casually.

Another collective sigh and murmurs of, ‘Yes true’, and ‘far out’, ‘never thought of that’ and ‘so profound’. All this as response to some off the cuff, random remark by me.

And the cliché?

Its better to light a candle than to curse the darkness.

This cliché goes so well with something I like to say that has become a bit of cliché in itself (because I say it so often):

Just look at what you can do, not what you can’t do.

Of course, I didn’t invent this one, but still, to me it makes sense. For example, In the little scene described above, we couldn’t do anything to turn the electricity back on, but one of us (the waiter) could fetch and light some candles.

At Dictionary.com, it tells me that a cliché is:

a trite, stereotyped expression; … usually expressing a popular or common thought or idea, that has lost originality, ingenuity, and impact by long overuse.


Rubbish I say! Overuse? Why does using something a lot make it bad? Why should an idea or thought be robbed of its meaning or power, simply because its been around for a long time? There’s no need to overthink the topic; I’m not saying we should always use clichés. But at the same time, clichés have usually become clichés because they are true, or say something in a succinct and accessible way.

Anyway, this post isn’t about grammar, it’s about lighting candles and looking at and realising what you can do, and not cursing the darkness and being pulled down by thinking about what you can’t do.

Does it help? The lighting of candles? The realising of what you can do? Sometimes yes, sometimes no. Nothing, not even a cliché, is perfect.

Love and blessing from me to you.