When Trees Speak

Watercolour by Pauline (with digital enhancement by the Hermit)

Vibing on the mystic trees,
their upside is downside, their downside is upside
selves telling me:
You’ve got to cut through the attachments.
Then, not a new, but old made new again, insight
confirms, clarifies, brings details to,
shines a light on the specifics:
Stop desiring what you already have.

By the River’s Light

By the River’s Light
I’ll Live My Life
out of sight of Babylon

A Note From Me: I can’t tell you who wrote these words. Maybe I did; maybe it’s a song lyric; or maybe it’s a quote from someone famous. Whatever the case, a half hour internet search failed to come up with anything even close. So, The best I can do is thank whoever did bring these beautiful words into the world. I hope you are pleased with how I’ve made use of them.

God is in the Ink

My eyes follow the line her pen inscribes
across the page, its whiteness coming alive.
In such moments, I know that it is true :
I know that God is truly in the ink.

Suffer the Little Children

Suffer the Little Children

A sculpture of a young child, on a busy street corner in the heart of downtown Sydney. I like many thousands of others, have passed it by many times only giving passing thought to the origins, meaning, or significance of the statue itself.

Until a couple of days ago that is.

As a subject for contemplation and for a photograph, it is a powerful image: striking in its presence. Once one actually stops to look and reflect that is.

After several minutes of standing with the statue and asking myself who is it? What does it mean? (there is no plaque or sign to steer the way), I made this photo and I moved on.

Only later, at home, did I notice the little plant growing through the pavement in the corner. And zooming in on the plant I saw the little moth sitting on a leaf.

I decided to research online, see if I could learn more about this site. The sculpture is called Youngster and was created by artist Caroline Rothwell. It seeks to highlight the plight of refugees, in particular children.

There isn’t much online, but you can read a media article which gives some more insight into the sculpture here.

That article focuses mainly on the sudden appearance of a plaque at the site. Presumebly placed by a citizen with strong feelings on the subject, the plaque wasn’t ‘official’, so was later removed.

Actually, the text on this plaque pretty much sums up my own strongly held and often expressed feelings. Though, these days as a contemplative monk and hermit, I try hard to not have opinions, or make judgements on the way in which things in the material world play out.

But, obviously I am still human, and this is only one of so many issues that cause me distress, sadness, even rage. Actually, rage is a big one. But then, how could anyone of goodwill not be outraged? It is the very reason I am struggling hard to get this post down, to somehow make it all clear.

You see, at the same time as being so affected on the human heart level, I am very aware at the same time that it is the conditioning of material nature that leads to the very obvious fact that life is suffering.

Eating, sleeping, mating, and defending. Every single activity of every living being is motivated by one or more of these activities or a desire for their fullfillment. They are the basic drives that rule all life.

So what to do? As I’ve said (probably many times) I am not a warrior – I used to be but not now. However I am just like every other life form motivated by conditioning, either from my experiences in this life, or by that conditioning inherent in all material nature.

To a great extent I have retreated from the world. Not in order to escape or so I can ignore the suffering. I haven’t abandoned the world.

In fact the exact opposite is true: I have withdrawn, become a hermit monk, precisely so that I might be able to dedicate every ounce of my energy, my heart, my love, to prayer; to creating and maintaining a quiet and contemplative silence.

My prayer is not of the asking or begging kind, beseeching some invisible ‘god’ to give me something. Instead, I attempt to be still (never ever easy); to free and open my mind so that I may be more receptive to the Divine, to the will of the Universe; and to  become more mindful in every activity and moment.

In this way I am aspiring to realize fully my oneness with all life.  All life. I want to become fully awake to the fact that everything is Self. That there is nothing else.

And of course Self includes this child and all she symbolizes; it includes that little green plant growing through the pavement in the corner; and it includes the little moth perched on one of its leaves.

As well, my prayer, my aspiration for full self realization and union includes all those who are warriors, those whose activism and engagement with the material or physical world is every day alleviating and attempting to alleviate suffering and its causes in whatever form it takes on this planet we all share.

I am extremely flawed: I’d like to tell you I am always full of love and light, but there is much of darkness in me still to be rid of. So, all I’ve shared with you till now are still only aspirations and I have far to go. Nobody can say if I will ever reach that full realisation. In the meantime I intend to keep doing what I can to participate in the work of change.

Peace and love

I’m Not Afraid of Your Tears

What a piece of magic this is!

Sarah Bernhardt as Prince Hamlet (Public Domain image)

No, it’s not a quote from Shakespeare. Mind you, now I think about it, there’s a line in Hamlet, where the man himself is monologuing about the human condition and declaims a strong-felt sentiment:

What a piece of work is man! [sic]

The reality is that first quote is from someone far more mundane than the bard: me. The occasion on which I uttered this equally impassioned statement was as I sat holding my smartphone and listening to the music flowing from it through bluetooth fairy land and into the headphones I was wearing.

The truth is I was at that moment just awestruck and a bit overwhelmed with what I was hearing, and just as significantly, with how I was hearing a particular song.

Not being a materialist by any measure, my phone and headphones are nowhere the latest or top of the line models, but still, to me, what I was hearing was magnificent. It’s the only word that fits really.

Anyway, that isn’t exactly what I want to write about today. Reflecting on the experience described above, got me thinking about the actual song I was listening to. And that’s what I want to write about now.

The song in question is written and sung by Australian singer-songwriter Cyndi Boste (died 2018) and is called Cry Down on Me. Here are the lines that have struck me particularly:

I’m not afraid of your tears.
Cry down on me
I’ll make sure nobody hears
Cry down on me.

Before we go on, a short note. Until I started research for this post I had my own idea of what ‘Cry down on me’ means. Seems I got it wrong. However, for this post I am choosing to believe that the songwriter agrees with me. If you look up the meaning and then listen carefully to the lyrics, you’ll see that perhaps I didn’t get it wrong after all.

Essentially here we have the singer/protagonist reassuring another person (friend? lover? sibling? We don’t really find out, but if I had to guess, I’d say they are lovers) that they are safe to share their tears, their sadness, anger, fears and so on. Most of us at some time or another (or always?) have been afraid to express or share our emotions, to show our tears.

So, why is our protagonist going to make sure nobody hears the other’s tears? Well, she is obviously aware that the other is at the very least embarrassed, perhaps afraid of being ridiculed, rejected, or perhaps they’re worried about appearing ‘weak’ or making themselves seem vulnerable.

And how did she come to that awareness? I think she has seen this other with the eyes of her heart, seen their need. And now she’s telling them: ‘Look don’t worry, I am listening to you with my heart and I can hear you.’

We are exposed to so much ‘noise’ from everywhere all the time. Even the tears of a loved one can be lost in the overall din that sometimes threatens to smother us all.

And of course we’re not just talking about literal tears here, and the sound the shedding of them makes: anything said, written or otherwise made known that is of substance, or real importance and meaning, is threatened with annihilation by all the trivia, gossip, advertising, round the clock news, and what I often call the general blah blah, that passes for life in the modern materialistic world.

Of course to protect ourselves from all that noise, it’s no surprise that we so often only listen with our physical ears, see with our physical eyes. Actually having said that, I know from my own experience that even that level of engagement and attention can be a struggle sometimes. And doesn’t that struggle sometimes lead us to closing down altogether?

I guess the answer lies in what Buddha call The Middle Way or Path: The bottom line is that we can choose what we listen to (or look at) and what we don’t. No need to switch off and isolate ourselves completely from the ‘outside’. Nor is it necessary to leave ourselves wide open to all that noise.

Like our protagonist in the song, we can listen with the ears of our hearts; we can see with the eyes of our hearts. It is in our hearts that love lies, where Truth lives. We can say to that other that we are listening and seeing with our hearts, while at the same time reassuring them that nobody, including us, is going to simply be hearing or seeing you only with physical ears and eyes.

The last time I listened to the song (yesterday: it’s become a big favourite) I had the thought that maybe our protagonist is reminding her Self that she’s listening. Sometimes our ‘real’ self can feel like a stranger, as if that Self is someone unknown, and living as a separate entity outside of us can’t it?

It’s at that heart level where we can truly listen, truly see, the other. And whether that other is one’s Self or another person, the truth is there really is no difference: your heart is truth, the other’s heart is truth, and it’s the same Truth.

When Misreading is no Mistake

We’ve all  had this experience I think. I’ll be reading something, and right away I’ll come to a conclusion, become either sure of something or the complete opposite; I can be confused, force myself to ask more questions. I can even have brilliant insights or realizations.

No? Well, maybe it’s really just me then. But, wait there’s more: this is a two part experience. When that second part happens we will come to realise that what we think we read is nothing at all like what the words on the paper (or screen) actually said in a factual sense.

Yes, you’ve probably guessed by now that there’s a story coming. In fact this exact thing happened to me this morning, all the way to the brilliant insight or realisation bit.

In fact it was a brilliant realisation, the only problem was that it was based on only on what I thought I read, not what was actually being said.

Anyway, I was reading the verse quoted below, from my Bhagavad Gita and a sudden flash of insight hit me.

Despite these five lines saying a particular thing in a clear and precise manner, I somehow misread the first three lines to say:

All beings ensue from Me.

Bhagavad Gita Ch 7:12

Somehow my mind skipped the ‘states of’ bit and made a leap that actually lead to a great realisation: Of course, I thought; God is not in us (as in living beings), it’s we who are in God.

Which to me means that we are all part and parcel of God. I’m not saying, I’m God; I’m not saying you are either. What I am saying is that all creation as one, unified whole, is in God. And if that one unified whole does indeed ensue from God, then it follows that all of creation is God.

As individualized, embodied entities, we (along with all life everywhere) are simply manifestations in the material form of that divine energy, that life, that truth; that which we often call God.

Now, this is an instance of a flash of insight leading to a truth, when the receiver of the insight (that’s me) is engaged with what you might call some other factual reality, that is, the actual words on the page.

At first I thought, that’s weird: how did I misread all those words related to states of being? I mean they are pretty clear right? But then I thought, no, maybe not so weird. In fact, it makes sense.

How can my material mind and intellect possibly be expected to always keep its millions of thoughts, ideas, impulses and the rest, in perfect order each thought or whatever following completely logically from the one before and to the one after? It’s never going to happen is it? Not for any of us (Well maybe I’m overstating my case here, but you know what I mean).

And if mind does indeed operate on what seems on the face of it to be a random basis, then it’s perfectly reasonable to suppose that one might be prompted to some momentous insight by, well by anything really. Even if it’s a conclusion jumped to after the misreading of a text.

In this case though, that jumping to conclusions, even though based a misreading, has turned out to be a genuine realisation that I feel on an intuitive level; my instincts tell me it’s Truth.

Jai Gurudev
All that I am today is by your grace.

Tell Me: What is God? Dominus Est

Welcome dear reader

Have I shared with you my Bhagavad Gita? Well, I know I’ve mentioned a few times that it’s one of, if not the primary resource for study and guidance for me.

As you’ve probably guessed, this is a quick photo of the inside of the front cover. And, again as you’ve noticed, I like to stick things in my books, especially this little one. (Actually now I mention it, this is the only book in the traditional format as in made of paper, I own). It’s an old practice and for me adds multiple dimensions and depths to what is already a treasure.

Sometime I’d like to go through and describe to you all that I have added, but for today, do you see the little green section with the words Dominus Est printed?

In the religious tradition I was raised in, these two words have a specific meaning and use. However, it’s only recently that I’ve come to think of this little Latin phrase (well technically it’s a sentence, but …) in the sense of the literal meaning of the words themselves: God is.

That’s it. Or the Lord is, or the Master is. If we change the Dominus, we can use this tiny sentence to define our conception of the divine, the holy, in any way that seems right: Truth is, Beauty is, Art is. For me, God is, sits right. As do the others in this list. Same same.

So, God Is. What else could possibly be said that would add to this already very emphatic and simple statement? Nothing at all. It’s stand-alone, complete in itself.

Like asking who or what is God, we can answer: ‘I am this’ or ‘I am not that’. Or we can realise what for me is becoming the only answer:
I am.

Why? Well, if we were to add anything at all to these two words, such as God is Truth, or God is Love, or God Resides in …, or God is called … , then we are in fact stating only a little of the truth. Sure, God is truth and love, and goes by many names and is found in many forms, but once we say what something is, we are actually making more of a statement about what it is not.

In the beginning there was the word, and the word was with God, and the word was God.

Mind you, it’s perfectly natural, and for many of us helpful, even necessary, to ascribe to God a name and or form. We are ourselves material beings, living in a material universe; it’s logical that we would choose (or need) to see God in a word, a physical object, or attribute some other kind of materiality to our notions of the divine.

I must say that I am one of those who find it difficult to envisage an invisible, non-physical, and impersonal ‘God’. Of course, our little statement, God is, does indeed say just this doesn’t it? Isness is pretty non-corporeal, certainly not in the least physical. And isn’t even a ‘spirit’ or ‘entity’ of any kind; Isness just is. The moment we label something (including ourselves) we miss that isness, that essence.

You see my picture of Krishna and Radha? This form, or forms, is one of the several that I feel right in having as a kind of focus, or centre of my devotion to and love for the divine; for love, for truth, and for it all.

You might be saying, this guy does believe in a personal God. He just told us. The truth is I don’t believe or not believe that Krishna (or any of the myriad names and forms we’ve invented) is God. God simply is. And my heart tells me that this is enough.

There are a pair of theological ideas known as Cataphatic Theology, and Apophatic Theology. Cataphatic describes or approaches the divine by stating what God is, while Apothatic (you guessed it) describes God by speaking only of what God is not.

My guess is that pretty much everybody, from whatever tradition, would approach the divine (and not only the divine) in one or other of these ways. But for me it was such a relief to realise that there was no need to go there at all. I could stop with the definitions and the descriptions, the what is and what is not. I have the freedom to not have to believe or not beleive. None of it matters. Dominus Est. God is.

Am I there yet? Have I let go of dualities? Hardly. Maybe the odd glimpse, but it’s rare. And it always will be for as long as I live in a physical body. But to paraphrase something Swami Ramdas said:

I’ve set my feet upon the path, so I am already at the goal.

Peace and love from me to you

The Road Rises Up:  A poem about journeying

Today I’d like to share a poem with you. I wrote it exactly a year ago, but it’s about a day many many years ago. At other places on this site I’ve mentioned that cliched but for me ever so real question: Am I running away from something or am I running towards something?

In one of those other places I joke about my answer: ‘Neither. I’m just a journey person’. Well, this poem began life as a story of the day I first met Jesus freaks as I hitchhiked on just one more random excursion.

Then it becomes at the same time a piece about running, or journeying towards. And, there’s more: it then speaks about the journey as the point of the journey; the movement is the thing

But the thing morphed into a rap about journey beginnings, or at least in the sense of my ongoing attempted, and until a lot of years later, futile escapes from the madness of family and circumstance. That’s the running away bit.

You see, there was something holy felt then, as now, about those seemingly random hitching trips (not that I would dream of hitching in these times). Somehow I knew the Road was the escape route from the growing madness and horror.

Of course I was only able to partially articulate this at that time, but I remember even at 17 (no, it was a year earlier when I’d made my first attempt. I’d forgotten about that) feeling a sort of specialness about the covering of new (for me) ground, the movement, then the arrival at new (for me) places, new towns and cities.

Much of this pilgrimming (for that is what it was) was done in solitude – except for interactions with drivers of course (one of whom was on the day in question one of the said Jesus Freaks) and other necessary people along the way.

I felt a sense of belonging when on the Road; a kind of being in place and in sync. A sense of belonging that I kept fucking up as I let the trickster ego with its taunting messages of fear, loneliness, greed for things and status, and the rest, take control of me and lead me on twisting and tricky roads back to madness.

And now, these 50 years later, I survey the damage done, the cost to self and others. Especially others. No use of course, to look back with wishful thoughts of what if things had been done differently, what if other choices had been made. Such is not truth, not real. Well, none of it’s real anyway is it? Samsara is all it is –  it’s all a sea of madness and illusion isn’t it?

Anyway, here is the poem. May it speak to you.
Peace

The Road Rises Up

I woke up that morning marooned in Albion
in a village of warriors, on a street, in a house,
going mad in a nest of madness
on an island of madness, in a sea of madness.
Escape, refuge, safety – waking thoughts.
Waking dreams. Looking for a way out.

The Road. The Road rose up in my mind.
The Road will save me. Not the shrink
the patriarch screamed I needed to see.
The Road was waiting; I found it waiting for me.
And my thumb in silent salutation and prayer
held aloft in supplication as I trudged on that seemingly straight but trickster road.

Welcome to the pilgrims’ way, the Road greeted me
as I trod ever more lightly
and Babylon’s chariots hurtled past me bound for far nowheres.
Or maybe somewheres.
All in the fast lanes and howling deceptively
of invitations and rejections, attractions and aversions.
Then – in time – an invitation proffered and accepted.
This pilgrim was on his way.

ANSWERING THE CALL LEADS TO MORE QUESTIONS

Greetings and Welcome after what feels like a gap of forever since my last post.

Two weeks today since I moved into a rented house way out here Outback in the mining town of Broken Hill, on the traditional lands of the Wilyakali people whose ongoing presence on this country I acknowledge and give thanks for.

And now, it is the location of my hermitage, my safe haven and refuge. But, no, therein lies the conundrum: I love it here; I know I’ve come to the right place to which I’ve been called. But after two weeks, I’m still not feeling grounded; I’m not really here yet.

Culture shock, fatigue, new environment, excitement; call it what you will; something has me not yet settled and in place. Yesterday a small poem came to me that I think expresses exactly the problem.

And now I’m sharing it with you as a way of explaining why the gap, why the block.

Peace and love from me to you.



The call to the desert
has been answered.
And now, I am here.
No, to tell the truth, I’m not actually. Here I mean.
So, where am I?

Not there, back there
where I came from.
Not even sure if ‘there’ really exists,
if you know what I mean.

Mind you, when I said ‘here now”
I meant it’s been a short now:
Now that I’m here. Just.
A short stretch – so far.

Here; there; now; so far;
it’s all too much.
And you know what?
It’s all in my head.
In my mind I mean.
                                             

A wise teacher once taught:
First thought, best thought.
But for here and now?
As in being here now?
No thought, more like,
is best thought.

Lord Buddha graces the hermitage front garden

Let Me Tell You About a Visitor I had This Morning

Greeting and Welcome to you

Quite a long time ago now I half wrote a book. I mean to say, I wrote half the thing before giving up. The book was going to be called When a Pet Dies, and was about, well exactly what the title suggests. All the practical stuff that you’d expect, as well as ways to deal with the grief over the loss of a companion animal .

I thought at the time that the reason it was only half written is that, once I got through that practical stuff and was ready to tackle the grief and loss parts, some kind of lethargy set in, or I got lazy. Or perhaps, I was thinking also, the muse for that particular project had simply left and was gone. So it remains half written.

So, why am I musing over this half done, half forgotten project from long ago? Well, let me tell you about a visit I had this morning.

I was sitting, focusing on chanting my mantra. Suddenly I felt an absolutely overwhelming sense of loss and sadness. I don’t recall thinking of anything in particular beforehand, but the sense was overpowering. Flooded with grief is what they call it I think.

Lofi (on the right) with his sister Shanti

And then, just as powerfully, I sensed the presence of Lofi, my cat who died in my arms over ten years ago. Immense feeling of presence is what I wrote in my notebook. Now, I’m not saying he was literally there with me. I’m also not saying he wasn’t. All I can say is that it was among the most intense of similar experiences I’ve had over the years. Anyway, that’s most likely what got me thinking about my incomplete book.

Later this morning I was sitting with my partner on a benchseat overlooking the sea, the bit of the Pacific coast I’ll be leaving behind next week.

Actually, now I’ve mentioned that, you might remember from my last post how keen I am to get out there to the desert. That excitement and anticipation doesn’t mean for a second that I’m not feeling quite sad about leaving the coast.

Anyway, we were just sitting there and chatting on and off, when suddenly a thought seemed to push its way to the surface. I all of a sudden knew why I stopped where I did when writing that book. I realized in a strong and convincing way that you can’t build a structure to define what grief is or how or if it should be experienced, by whom and when.

I’m not talking about the ‘truism’ that one hears all the time that says that the ‘stages of grief’ are in a set order, until they’re not. Actually come to think about it, I’m not even sure this is true. I mean, I’m not sure it (grief) is a thing to be labelled, quantified, recorded, predicted, analysed.

I mean, who’s to ever say how any other individual, or even oneself, will feel about anything at all? Sure, there might be a ‘typical’ set of responses to any given circumstance, such as a loss, but even the proponents of such theories will tell you that none of us is typical.

Which kind of leads me back to my feeling of oneness with my Lofi earlier in the day. Obviously I’m not alone in having such feelings. How often has any one of us heard other people say, after they’ve lost a loved one:e, ‘S/he was really here. It was so real’.

Such experiences can occur anytime, even decades after the loved one has left. I’ve mentioned somewhere else that I’m reading (in little chunks) a great book by Joseph Campbell, the renowned scholar of myth. Let me share with you a quote from the section I’ve been reading today where he’s talking about how art in India seeks to portray the divine in all things:

This is the wonderful song that one hears when one reads the Bhagavad Gītā or any of the great texts of Eastern philosophy. This is the song of that immortal spirit that never was born and never die.

Of course this isn’t meant to be a consolation to myself or anyone else. After all, we are physical beings, living in a material, solid and apparently ‘real’ world. So, naturally, we experience loss, like everything else in that context.

Our bodies react (or don’t) as do our minds, creating physical sensations and emotional responses. Or not. These physical and emotional responses, or lack of them, are totally unpredictable, unexpected, and most definitely unclassifiable by anyone outside of oneself (myself)

Anyway, there are no rules. Even the grief and loss experts will tell you this. Mind you, I can and will only speak for myself, and my experience. Basically that experience has taught me that I have an intuitive resistance to ever thinking in terms of there being a ‘roadmap’ for grief.

Or a statistically valid ‘pattern’ or ‘process’, or that there are even such things as ‘stages of grief’.

My grief for my Lofi is unique, just as everyone’s is. I’m pretty sure I don’t even want to define it, label it, ‘try to get closure’, ‘come to terms with my loss’. No. None of that. It’s like I’ve said someplace else, or at some other times:

Sometimes we make way too many words for something for which there are no words.

Thank you for allowing me to share these words with you. I pray that they are not ‘too many’

peace and love